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One autumn day there were five of us, ardent sportsmen, gathered together at Piotr Fedorovitch’s. We had spent the whole morning out, had run down a couple of foxes and a number of hares, and had returned home in that supremely agreeable frame of mind which comes over every well-regulated person after a successful day’s shooting. It grew dusk. The wind was frolicking over the dark fields and noisily swinging the bare tops of the birches and lime-trees round Lutchinov’s house. We reached the house, got off our horses…. On the steps I stood still and looked round: long storm-clouds were creeping heavily over the grey sky; a dark-brown bush was writhing in the wind, and murmuring plaintively; the yellow grass helplessly and forlornly bowed down to the earth; flocks of thrushes were fluttering in the mountain-ashes among the bright, flame-coloured clusters of berries. Among the light brittle twigs of the birch-trees blue-tits hopped whistling. In the village there was the hoarse barking of dogs. I felt melancholy… but it was with a genuine sense of comfort that I walked into the dining-room. The shutters were closed; on a round table, covered with a tablecloth of dazzling whiteness, amid cut-glass decanters of red wine, there were eight lighted candles in silver candlesticks; a fire glowed cheerfully on the hearth, and an old and very stately-looking butler, with a huge bald head, wearing an English dress, stood before another table on which was pleasingly conspicuous a large soup-tureen, encircled by light savoury-smelling steam. In the hall we passed by another venerable man, engaged in icing champagne–‘according to the strictest rules of the art.’ The dinner was, as is usual in such cases, exceedingly pleasant. We laughed and talked of the incidents of the day’s shooting, and recalled with enthusiasm two glorious ‘runs.’ After dining pretty heartily, we settled comfortably into ample arm-chairs round the fire; a huge silver bowl made its appearance on the table, and in a few minutes the white flame of the burning rum announced our host’s agreeable intention ‘to concoct a punch.’ Piotr Fedoritch was a man of some taste; he was aware, for instance, that nothing has so fatal an influence on the fancy as the cold, steady, pedantic light of a lamp, and so he gave orders that only two candles should be left in the room. Strange half-shadows quivered on the walls, thrown by the fanciful play of the fire in the hearth and the flame of the punch… a soft, exceedingly agreeable sense of soothing comfort replaced in our hearts the somewhat boisterous gaiety that had reigned at dinner.

Conversations have their destinies, like books, as the Latin proverb says, like everything in the world. Our conversation that evening was particularly many-sided and lively. From details it passed to rather serious general questions, and lightly and casually came back to the daily incidents of life…. After chatting a good deal, we suddenly all sank into silence. At such times they say an angel of peace is flying over.

I cannot say why my companions were silent, but I held my tongue because my eyes had suddenly come to rest on three dusty portraits in black wooden frames. The colours were rubbed and cracked in places, but one could still make out the faces. The portrait in the centre was that of a young woman in a white gown with lace ruffles, her hair done up high, in the style of the eighties of last century. On her right, upon a perfectly black background, there stood out the full, round face of a good-natured country gentleman of five-and-twenty, with a broad, low brow, a thick nose, and a good-humoured smile. The French powdered coiffure was utterly out of keeping with the expression of his Slavonic face. The artist had portrayed him wearing a long loose coat of crimson colour with large paste buttons; in his hand he was holding some unlikely-looking flower. The third portrait, which was the work of some other more skilful hand, represented a man of thirty, in the green uniform, with red facings, of the time of Catherine, in a white shirt, with a fine cambric cravat. One hand leaned on a gold-headed cane, the other lay on his shirt front. His dark, thinnish face was full of insolent haughtiness. The fine long eyebrows almost grew together over the pitch-black eyes, about the thin, scarcely discernible lips played an evil smile.