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Three Miraculous Soldiers
by
Mary had intended to go and tell the commander in blue that her mother did not wish his men to use the barn at all, but she paused when she heard him speak to the sergeant. She thought she perceived then that it mattered little to him what her mother wished, and that an objection by her or by anybody would be futile. She saw the soldiers conduct the prisoner in grey into the barn, and for a long time she watched the three chatting guards and the pondering sentry. Upon her mind in desolate weight was the recollection of the three men in the feed-box.
It seemed to her that in a case of this description it was her duty to be a heroine. In all the stories she had read
when at boarding-school in Pennsylvania, the girl characters, confronted with such difficulties, invariably did hair-breadth things. True, they were usually bent upon rescuing and recovering their lovers, and neither the calm man in grey, nor any of the three in the feed-box, was lover of hers, but then a real heroine would not pause over this minor question. Plainly a heroine would take measures to rescue the four men. If she did not at least make the attempt, she would be false to those carefully constructed ideals which were the accumulation of years of dreaming.
But the situation puzzled her. There was the barn with only one door, and with four armed troopers in front of this door, one of them with his back to the rest of the world, engaged, no doubt, in a steadfast contemplation of the calm man, and incidentally, of the feed-box. She knew, too, that even if she should open the kitchen door, three heads, and perhaps four, would turn casually in her direction. Their ears were real ears.
Heroines, she knew, conducted these matters with infinite precision and despatch. They severed the hero’s bonds, cried a dramatic sentence, and stood between him and his enemies until he had run far enough away. She saw well, however, that even should she achieve all things up to the point where she might take glorious stand between the escaping and the pursuers, those grim troopers in blue would not pause. They would run around her, make a circuit. One by one she saw the gorgeous contrivances and expedients of fiction fall before the plain, homely difficulties of this situation. They were of no service. Sadly, ruefully, she thought of the calm man and of the contents of the feed-box.
The sum of her invention was that she could sally forth to the commander of the blue cavalry, and confessing to him that there were three of her friends and his enemies secreted in the feed-box, pray him to let them depart unmolested. But she was beginning to believe the old greybeard to be a bear. It was hardly probable that he would give this plan his support. It was more probable that he and some of his men would at once descend upon the feed-box and confiscate her three friends. The difficulty with her idea was that she could not learn its value without trying it, and then in case of failure it would be too late for remedies and other plans. She reflected that war made men very unreasonable.
All that she could do was to stand at the window and mournfully regard the barn. She admitted this to herself with a sense of deep humiliation. She was not, then, made of that fine stuff, that mental satin, which enabled some other beings to be of such mighty service to the distressed. She was defeated by a barn with one door, by four men with eight eyes and eight ears–trivialities that would not impede the real heroine.