FullReads

Stacy Lindstrom was out of existence in this colored world. Stacy was now chief clerk in the railroad tax commissioner’s office, and spoken of as future assistant cashier in the Lumber National Bank. But he was quite insignificant. He was thin—not slim. He was silent—not reserved. His clothes were plain—not cleverly inconspicuous. He wore eyeglasses with a gold chain attached to a hoop over one ear; and he totally failed to insist that he was bored by the vaudeville which everybody attended and everybody sneered at. Oh, he was ordinary, through and through.

Thus with boarding-school wisdom Janet dissected the unfortunate social problem known as Stacy Lindstrom. Theo didn’t protest much. It was not possible for youth to keep on for five years very ardently defending anybody who changed as little as Stacy. And Theo was busy.

Not only to dances did Janet lead her, but into the delights of being artistic. Janet had been gapingly impressed by the Broom mansion when the family had acquired it, but now, after vacation visits to Eastern friends, she saw that the large brown velvet chairs were stuffy, and the table with the inlaid chessboard of mother-of-pearl a horror. What Janet saw she also expressed.

In one of the manuals the girls had been tenderly encouraged to glance through at Janet’s college it was courageously stated that simplicity was the keynote in decoration. At breakfast, dinner, and even at suppers personally abstracted from the ice box at two A. M. , Janet clamored that their ratty old palace ought to be refurnished. Her parents paid no attention. That was just as well.

Otherwise Janet would have lost the chance to get into her portable pulpit and admonish: “When I have a house it will be absolutely simple. Just a few exquisite vases, and not one chair that doesn’t melt into the environment. Things—things—things—they are so dreadful! I shan’t have a thing I can’t use. Use is the test of beauty. ”

Theo knew that the admirable Janet expressed something which she had been feeling like a dull, unplaced pain. She became a member of an informal art association consisting of herself, Janet, Eddie Barnes, and Harry McPherson, Janet’s chief suitor. It is true that the art association gave most of its attention to sitting together in corners at dances and giggling at other people’s clothes, but Janet did lead them to an exhibit at the Vernon Art Institute, and afterward they had tea and felt intellectual and peculiar and proud.

Eddie Barnes was showing new depths. He had attended a great seaboard university whose principal distinction, besides its athletics, was its skill in instructing select young gentlemen to discuss any topic in the world without having any knowledge of it whatever. During Janet’s pogrom against the Dukes’ mosque-shaped brass lamp Eddie was heard to say a number of terribly good things about the social value of knowing wall sconces.

When Janet and Harry McPherson were married Eddie was best man, Theo bridesmaid.

Janet had furnished her new house. When Theo had accompanied Janet on the first shopping flight she had wanted to know just what sort of chairs would perform the miracle of melting into the environment. She wondered whether they could be found in department stores or only in magic shops. But Janet led her to a place only too familiar—the Crafts League, where Mrs. Duke always bought candle shades and small almond dishes.

Janet instantly purchased a hand-tooled leather box for playing cards, and a desk set which included a locked diary in a morocco cover and an ingenious case containing scissors, magnifying glass, pencil sharpener, paper cutter, steel ink eraser, silver penknife. This tool kit was a delightful toy, and it cost thirty-seven dollars. The clerk explained that it was especially marked down from forty-five dollars, though he did not explain why it should be especially marked down.