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“No,” said the lad quickly, and shut his lips tight.

“Won’t you tell me?” asked Felion, with a strange inquisitiveness.

“No. Mother’ll tell you, but I won’t.” The lad’s eyes filled with tears.

“Poor boy–poor boy!” said Felion, and his hand tightened on the small shoulder.

“Don’t be sorry for me; be sorry for mother, please,” said the boy, and he laid a hand on the old man’s knee, and that touch went to a heart long closed against the little city below; and Felion rose and said: “I will go with you to your mother.”

Then he went into another room, and the boy came near the axe and ran his fingers along the bright steel, and fondled the handle, as does a hunter the tried weapon which has been his through many seasons. When the old man came back he said to the boy: “Why do you look at the axe?”

“I don’t know,” was the answer; “maybe because my mother used to sing a song about the wood-cutters.” Without a word, and thinking much, he stepped out into the path leading to the little city, the lad holding one hand. Years afterwards men spoke with a sort of awe or reverence of seeing the beautiful stranger lad leading old Felion into the plague-stricken place, and how, as they passed, women threw themselves at Felion’s feet, begging him to save their loved ones. And a drunkard cast his arm round the old man’s shoulder and sputtered foolish pleadings in his ear; but Felion only waved them back gently, and said: “By-and-by, by-and-by–God help us all!”

Now a fevered hand snatched at him from a doorway, moanings came from everywhere, and more than once he almost stumbled over a dead body; others he saw being carried away to the graveyard for hasty burial. Few were the mourners that followed, and the faces of those who watched the processions go by were set and drawn. The sunlight and the green trees seemed an insult to the dead.

They passed into the house where the sick woman lay, and some met him at the door with faces of joy and meaning; for now they knew the woman and would have spoken to him of her; but he waved them off, and put his fingers upon his lips and went where a fire burned in a kitchen, and brewed his medicines. And the child entered the room where his mother lay, and presently he came to the kitchen and said: “She is asleep–my mother.”

The old man looked down on him a moment steadily, and a look of bewilderment came into his face. But he turned away again to the simmering pots. The boy went to the window and, leaning upon the sill, began to hum softly a sort of chant, while he watched a lizard running hither and thither in the sun. As he hummed, the old man listened, and presently, with his medicines in his hands and a half-startled look, he came over to the lad.

“What are you humming?” he asked.

The lad answered: “A song of the wood-cutters.”

“Sing it again,” said Felion.

The lad began to sing:

“Here shall I build me my cedar house,
A city with gates, a road to the sea–
For I am the lord of the Earth! Hew! Hew!”

The old man stopped him. “What is your name?”

“My name is Felion,” answered the lad; and he put his face close to the jug that held the steaming tinctures: but the old man caught the little chin in his huge hand and bent back the head, looking long into the lad’s eyes. At last he caught little Felion’s hand and hurried into the other room, where the woman lay in a stupor. The old man came quickly to her and looked into her face. Seeing, he gave a broken cry and said:

“Carille, my daughter! Carille!”

He drew her to his breast, and as he did so he groaned aloud, for he knew that inevitable Death was waiting for her at the door. He straightened himself up, clasped the child to his breast, and said: “I, too, am Felion, my little son.”