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The old gentleman, sad to say, was sick and could not attend the concert; but he gave the mayor, who called on him just before the hour of opening the concert, some directions regarding his nephew. “He is a good soul, my nephew,” said he, “but now and then he is overtaken by all sorts of singular fancies, and does many stupid things; it is, therefore, a great misfortune that I can not be present at your concert, as in my presence he always behaves himself–he well knows why! I must say, in his favor, that he does not commit these actions in a spirit of wantonness, but they are a fault of his constitution, deeply implanted in his nature. If then, Mr. Mayor, he should sit down on the music-desk, or attempt to play the bass-viol, just loosen his neck-tie a little; or, if that does not help matters, pull it off entirely, and you will see how quiet and well-behaved he will become.” The mayor thanked the sick man for his confidence, and promised that if it should be necessary he would carry out his instructions.

The concert-hall was crowded; all Gruenwiesel and the surrounding country were there. All the royal gamekeepers, the ministers, officials, landlords, and others, within a circumference of ten miles, came with their numerous families to share the rare enjoyment of the concert with the Gruenwiesel people. The town musicians did themselves honor. After them, the mayor appeared with his violoncello, accompanied by the apothecary with his flute; after these, the organist sang, amid universal applause; and the doctor, too, was cheered not a little when he appeared with his bassoon.

The first part of the concert was over, and every one was impatiently awaiting the second part, in which the young stranger was to sing a duet with the mayor’s daughter. The nephew was present, in a brilliant costume, and had already attracted the attention of all present. He had, with the greatest composure, laid himself back in an easy chair, which had been reserved for a countess of the neighborhood, stretched his legs out before him, and stared at everybody through a large spyglass, stopping occasionally to play with a large mastiff which he, in spite of the rule excluding dogs, had brought with him into this goodly company. The countess for whom the chair had been reserved, put in an appearance; but he showed no disposition to vacate the seat,–on the contrary, he settled himself down in it more comfortably, and as no one dared say any thing to the young man about it, the noble lady was forced to take a common straw-bottomed chair in the midst of the other ladies; a proceeding that vexed her not a little.

During the excellent playing of the mayor, during the fine singing of the organist, yes, even while the doctor was performing some fantasias on the bassoon, and all were breathlessly listening, the young Englishman amused himself by having the dog fetch his handkerchief, or chatted aloud with his neighbors, so that every one who was not acquainted with him wondered at the extraordinary conduct of the young man.

It was no wonder, therefore, that there was great curiosity to hear him in the duet. The second part began; the town musicians had opened with a short piece of music, and now the mayor, with his daughter, stepped up to the young man, handed him a sheet of music, and said: “Mosjoh! Will it please you to sing the duet now?” The young man laughed, gnashed his teeth, sprang up, and the others followed him to the music-stand, while the entire company were in full expectation. The organist began the accompaniment and beckoned the nephew to begin. The young Englishman looked through his goggles at the music, and broke out into the most discordant tones. The organist called out to him, “Two tones deeper, your honor! You must sing in C, C!”