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And he waved his burning cigar before him in the darkness, making irregular squares so rapidly that Flambeau really seemed to see them as fiery hieroglyphics upon the darkness–hieroglyphics such as his friend had spoken of, which are undecipherable, yet can have no good meaning.

“But,” said Flambeau, as the priest put his cigar in his mouth again and leaned back, staring at the roof, “suppose somebody else did use the scissors. Why should somebody else, cutting pieces off his sermon paper, make Quinton commit suicide?”

Father Brown was still leaning back and staring at the roof, but he took his cigar out of his mouth and said: “Quinton never did commit suicide.”

Flambeau stared at him. “Why, confound it all,” he cried, “then why did he confess to suicide?”

The priest leant forward again, settled his elbows on his knees, looked at the ground, and said, in a low, distinct voice: “He never did confess to suicide.”

Flambeau laid his cigar down. “You mean,” he said, “that the writing was forged?”

“No,” said Father Brown. “Quinton wrote it all right.”

“Well, there you are,” said the aggravated Flambeau; “Quinton wrote, ‘I die by my own hand,’ with his own hand on a plain piece of paper.”

“Of the wrong shape,” said the priest calmly.

“Oh, the shape be damned!” cried Flambeau. “What has the shape to do with it?”

“There were twenty-three snipped papers,” resumed Brown unmoved, “and only twenty-two pieces snipped off. Therefore one of the pieces had been destroyed, probably that from the written paper. Does that suggest anything to you?”

A light dawned on Flambeau’s face, and he said: “There was something else written by Quinton, some other words. ‘They will tell you I die by my own hand,’ or ‘Do not believe that–‘”

“Hotter, as the children say,” said his friend. “But the piece was hardly half an inch across; there was no room for one word, let alone five. Can you think of anything hardly bigger than a comma which the man with hell in his heart had to tear away as a testimony against him?”

“I can think of nothing,” said Flambeau at last.

“What about quotation marks?” said the priest, and flung his cigar far into the darkness like a shooting star.

All words had left the other man’s mouth, and Father Brown said, like one going back to fundamentals:

“Leonard Quinton was a romancer, and was writing an Oriental romance about wizardry and hypnotism. He–“

At this moment the door opened briskly behind them, and the doctor came out with his hat on. He put a long envelope into the priest’s hands.

“That’s the document you wanted,” he said, “and I must be getting home. Good night.”

“Good night,” said Father Brown, as the doctor walked briskly to the gate. He had left the front door open, so that a shaft of gaslight fell upon them. In the light of this Brown opened the envelope and read the following words:

DEAR FATHER BROWN,–Vicisti Galilee. Otherwise, damn your eyes, which are very penetrating ones. Can it be possible that there is something in all that stuff of yours after all?

I am a man who has ever since boyhood believed in Nature and in all natural functions and instincts, whether men called them moral or immoral. Long before I became a doctor, when I was a schoolboy keeping mice and spiders, I believed that to be a good animal is the best thing in the world. But just now I am shaken; I have believed in Nature; but it seems as if Nature could betray a man. Can there be anything in your bosh? I am really getting morbid.

I loved Quinton’s wife. What was there wrong in that? Nature told me to, and it’s love that makes the world go round. I also thought quite sincerely that she would be happier with a clean animal like me than with that tormenting little lunatic. What was there wrong in that? I was only facing facts, like a man of science. She would have been happier.