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PAGE 3

The Wonders In The Spessart
by [?]

“‘By degrees, I became the confidant of his secret laboratory, and the pupil to which he intended to bequeath, as a precious legacy, a portion of his talent. There is only one marrow of things, which here in the metal is heavy and presses down, there in the waving plant, or the volatile bird, struggles to free itself from the original kernel. All things undergo a perpetual change. The Creator indeed works in nature, but nature also works for herself. And he who has the right power at his command can call forth her own peculiar independent life, so that the limbs which would otherwise remain bound in the Creator, will unfold themselves to new movements. My great master conducted me with a secure hand to that spring, where the marrow of things is flowing. I dipped my finger therein, and all my senses were at once filled with a superhuman power of perception. We often sat together in the sooty melting-room, and looked into the glow of the furnace; he before, on a low stool, I cowering behind him, giving the coals or the pieces of ore, which he flung into the crucible with his left hand, while with the right he affectionately held me. Then the metals defended themselves; the salts and acids crackled; the great Regulus, who rules all the world wished, as in a stormy fortress, to guard himself in the midst of sharp-angled crystals; the red, blue, and green vassals were kindled in wrath, and as if to keep us off, stretched their glaring spears towards us, but we broke through the works and destroyed the garrison, and the shining king humbly surrendered himself over the ruins of dross. Gold in itself is nothing to him whose heart is not set on earthly things, but to perceive this dearest and most precious boon of nature in all and every thing, even in what is most trifling and insignificant, that is a great matter to the philosopher. At other times the stars showed us their curious circles which separated themselves as history, and sunk to the earth, or the intimate connection of tones and numbers was awakened to us and showed us links which no word can describe, but which are again much more revealed by tones and numbers. But in all this mysterious essence and interweaving, that it might not again become a cold sticky mass, floated, ever combining and ever freeing, that which separates itself, both in itself and in things, amid the contest of ever fading youth–the great, the unfathomable, the dialectic thought.

“‘Oh blessed satisfying time of the opened intelligence, of the wandering through the inner halls of the palace, at the metal doors of which others knock in vain! At last—-“

“The wandering student, whose lips during the narrative had been glowing more and more, took a deep red colour, while a strange fire flashed from his eyes, stopped short here, as though suddenly sobered from his inspiration. The knight wished in vain for the completion of the discourse, and then said to his friend: ‘Well– at last ?’

“‘At last,’ replied the student, in a tone of feigned indifference, ‘we were obliged to separate, if only for a short time. My great master now sends me to Ratisbon to ask for certain papers from the sacristy of the cathedral, which he left there as bishop. I shall bring them to him, and shall then, indeed, if I can, pass my life with him.’

“The young knight poured the rest of his wine into the goblet, looked into it, and drank the wine more slowly than before. ‘Thou hast told me strange things,’ he began after a silence, ‘but they do not stagger me. God’s world appears to me so beautifully adorned, that I should take no delight in tearing away the charming veil, and looking in to the innermost core of things, as thou callest it. The sky is blue, the stars shine, the wood rustles, the plants give fragrance, and this blue, this shining, this rustling, this fragrance–are they not the most beautiful things that can be, behind which there is nothing more beautiful? Pardon me, I do not envy thee thy secret knowledge. Poor fellow! this knowledge does not give thee a colour. Thy cheeks are quite pale and sunken.’