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PAGE 6

The Woman of the Saeter
by [?]

The fifth letter:

“MY DEAR JOYCE,–Whether your eyes will ever see these letters is doubtful. From this place I shall never send them. They would read to you as the ravings of a madman. If ever I return to England I may one day show them to you, but when I do it will be when I, with you, can laugh over them. At present I write them merely to hide away,–putting the words down on paper saves my screaming them aloud.

“She comes each night now, taking the same seat beside the embers, and fixing upon me those eyes, with the hell-light in them, that burn into my brain; and at rare times she smiles, and all my being passes out of me, and is hers. I make no attempt to work. I sit listening for her footsteps on the creaking bridge, for the rustling of her feet upon the grass, for the tapping of her hand upon the door. No word is uttered between us. Each day I say: ‘When she comes to-night I will speak to her. I will stretch out my hand and touch her.’ Yet when she enters, all thought and will goes out from me.

“Last night, as I stood gazing at her, my soul filled with her wondrous beauty as a lake with moonlight, her lips parted, and she started from her chair; and, turning, I thought I saw a white face pressed against the window, but as I looked it vanished. Then she drew her cloak about her, and passed out. I slid back the bolt I always draw now, and stole into the other room, and, taking down the lantern, held it above the bed. But Muriel’s eyes were closed as if in sleep.”

Extract from the sixth letter:

“It is not the night I fear, but the day. I hate the sight of this woman with whom I live, whom I call ‘wife.’ I shrink from the blow of her cold lips, the curse of her stony eyes. She has seen, she has learnt; I feel it, I know it. Yet she winds her arms around my neck, and calls me sweetheart, and smoothes my hair with her soft, false hands. We speak mocking words of love to one another, but I know her cruel eyes are ever following me. She is plotting her revenge, and I hate her, I hate her, I hate her!”

Part of the seventh letter:

“This morning I went down to the fiord. I told her I should not be back until the evening. She stood by the door watching me until we were mere specks to one another, and a promontory of the mountain shut me from view. Then, turning aside from the track, I made my way, running and stumbling over the jagged ground, round to the other side of the mountain, and began to climb again. It was slow, weary work. Often I had to go miles out of my road to avoid a ravine, and twice I reached a high point only to have to descend again. But at length I crossed the ridge, and crept down to a spot from where, concealed, I could spy upon my own house. She–my wife–stood by the flimsy bridge. A short hatchet, such as butchers use, was in her hand. She leant against a pine trunk, with her arm behind her, as one stands whose back aches with long stooping in some cramped position; and even at that distance I could see the cruel smile about her lips.

“Then I recrossed the ridge, and crawled down again, and, waiting until evening, walked slowly up the path. As I came in view of the house she saw me, and waved her handkerchief to me, and in answer I waved my hat, and shouted curses at her that the wind whirled away into the torrent. She met me with a kiss, and I breathed no hint to her that I had seen. Let her devil’s work remain undisturbed. Let it prove to me what manner of thing this is that haunts me. If it be a spirit, then the bridge wilt bear it safely; if it be woman–