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“By Jove, she’s pretty, Poindexter,” he had said, as he came back and picked up his banjo; “she has eyes like a rabbit.”

And Poindexter had added up two columns of figures and contemplated the result some time before he asked, “Who?”

“The milkmaid,–she of the bare feet and blue calico. I have explored the dim recesses of her sunbonnet, and am prepared to report upon the contents. The lass is comely.”

But Poindexter had relapsed into mathematics, and grunted an unintelligible reply.

Melissa heard none of this. All that she heard was the faint, distant strum of a banjo, and a gay young voice announcing to the rocks and fastnesses of the canon that his love was like a red, red rose. His love! Melissa walked along the path beside the flume in vague bewilderment. It was his love, then, whose picture she had seen pinned to the canvas of the tent. The lady was scantily attired, and Melissa had a confused idea that her heightened color might arise from this fact. She felt her own cheeks redden at the thought.

Lysander was at work in the canon some distance below the new tunnel, “ditching” the water of Flutterwheel Spring to Mrs. Withrow’s land.

“That long-legged tenderfoot thinks you’re purty, M’lissy,” he announced, as he smoked his pipe on the doorstep one evening. “He come down to the ditch this afternoon to see if I could sharpen a pick fer ’em, and he asked if you was my little dotter. I told ‘im no, I was your great-grandpap,” and Lysander laughed teasingly.

Melissa was sitting on a low chair behind him, holding her newly arrived niece in her arms. She bent over the little puckered face, her own glowing with girlish delight. The baby stirred, and tightened its wrinkles threateningly, and Melissa stooped to kiss the little moist silken head.

“I–I don’t even know his name,” she faltered.

“Nor me, neither,” said Lysander. “Poindexter calls him ‘Sterling,’ but I don’ know if it’s his first name or his last. Anyway, he seems to be a powerful singer.”

The baby broke into a faint but rapidly strengthening wail.

“Come, now, Pareppy Rosy,” said Lysander soothingly, “don’t you be jealous; your old pappy ain’t a-goin’ back on you as a musicianer. Give ‘er to me, M’lissy.”

Melissa laid the little warm, unhappy bundle in its father’s arms, and stood in the path in front of them, looking over the valley, until the baby’s cries were hushed.

“Was the pick much dull?” she asked, with a faint stirring of womanly tact.

“Oh, yes,” rejoined the unsuspecting Lysander; “they get ’em awful dull up there in the rock. I had to bring it down to the forge, an’ I guess I’ll git you to take it back to ’em in the morning. I’ve got through with the ditch, and I want to go to makin’ basins; them orange-trees west o’ the road needs irrigatin’.”

“Yes, they’re awful dry; they’re curlin’ a little,” said the girl, with waning interest. “I thought mebbe Mr. Poindexter done the singin’?” she added, after a little silence.

Her brother-in-law hesitated, and then found his way back.

“No, I guess not; I s’pose he joins in now and then, but it’s the Easterner that leads off.”

“Jee- ee -rusa lem, my happy home!”

Lysander threw his head back against the casement of the door, and broke into the evening stillness with his heavy, unmanageable bass. Mrs. Sproul came to the door to “take the baby in out of the night air;” the air indoors being presumably a remnant of midday which had been carefully preserved for the evening use of infants.

The next morning Melissa carried the pick to the workmen at the tunnel.

A fog had drifted in during the night, and was still tangled in the tops of the sycamores. The soft, humid air was sweet with the earthy scents of the canon, and the curled fallen leaves of the live oaks along the flume path were golden-brown with moisture. Beads of mist fringed the silken fluffs of the clematis, dripping with gentle, rhythmical insistence from the trees overhead.