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PAGE 2

The Wit of Porportuk
by [?]

All this was unusual for a Yukon Indian, but Klakee-Nah was an unusual Indian. Not alone did he like to render inordinate hospitality, but, what of being a chief and of acquiring much money, he was able to do it. In the primitive trading days he had been a power over his people, and he had dealt profitably with the white trading companies. Later on, with Porportuk, he had made a gold- strike on the Koyokuk River. Klakee-Nah was by training and nature an aristocrat. Porportuk was bourgeois, and Porportuk bought him out of the gold-mine. Porportuk was content to plod and accumulate. Klakee-Nah went back to his large house and proceeded to spend. Porportuk was known as the richest Indian in Alaska. Klakee-Nah was known as the whitest. Porportuk was a money-lender and a usurer. Klakee-Nah was an anachronism–a mediaeval ruin, a fighter and a feaster, happy with wine and song.

El-Soo adapted herself to the large house and its ways as readily as she had adapted herself to Holy Cross Mission and its ways. She did not try to reform her father and direct his footsteps toward God. It is true, she reproved him when he drank overmuch and profoundly, but that was for the sake of his health and the direction of his footsteps on solid earth.

The latchstring to the large house was always out. What with the coming and the going, it was never still. The rafters of the great living-room shook with the roar of wassail and of song. At table sat men from all the world and chiefs from distant tribes–Englishmen and Colonials, lean Yankee traders and rotund officials of the great companies, cowboys from the Western ranges, sailors from the sea, hunters and dog-mushers of a score of nationalities.

El-Soo drew breath in a cosmopolitan atmosphere. She could speak English as well as she could her native tongue, and she sang English songs and ballads. The passing Indian ceremonials she knew, and the perishing traditions. The tribal dress of the daughter of a chief she knew how to wear upon occasion. But for the most part she dressed as white women dress. Not for nothing was her needlework at the Mission and her innate artistry. She carried her clothes like a white woman, and she made clothes that could be so carried.

In her way she was as unusual as her father, and the position she occupied was as unique as his. She was the one Indian woman who was the social equal with the several white women at Tana-naw Station. She was the one Indian woman to whom white men honourably made proposals of marriage. And she was the one Indian woman whom no white man ever insulted.

For El-Soo was beautiful–not as white women are beautiful, not as Indian women are beautiful. It was the flame of her, that did not depend upon feature, that was her beauty. So far as mere line and feature went, she was the classic Indian type. The black hair and the fine bronze were hers, and the black eyes, brilliant and bold, keen as sword-light, proud; and hers the delicate eagle nose with the thin, quivering nostrils, the high cheek-bones that were not broad apart, and the thin lips that were not too thin. But over all and through all poured the flame of her–the unanalysable something that was fire and that was the soul of her, that lay mellow-warm or blazed in her eyes, that sprayed the cheeks of her, that distended the nostrils, that curled the lips, or, when the lip was in repose, that was still there in the lip, the lip palpitant with its presence.

And El-Soo had wit–rarely sharp to hurt, yet quick to search out forgivable weakness. The laughter of her mind played like lambent flame over all about her, and from all about her arose answering laughter. Yet she was never the centre of things. This she would not permit. The large house, and all of which it was significant, was her father’s; and through it, to the last, moved his heroic figure–host, master of the revels, and giver of the law. It is true, as the strength oozed from him, that she caught up responsibilities from his failing hands. But in appearance he still ruled, dozing, ofttimes at the board, a bacchanalian ruin, yet in all seeming the ruler of the feast.