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The White Villa
by
A small shepherd boy, with a woolly dog, made shy advances of friendship, and in a little time we had set him to gathering flowers for us: asphodels and bee-orchids, anemones, and the little thin green iris so fairylike and frail. The murmur of the tourist crowd had merged itself in the moan of the sea, and it was very still; suddenly I heard the words I had been waiting for,–the suggestion I had refrained from making myself, for I knew Thomas.
“I say, old man, shall we let the 2.46 go to thunder?”
I chuckled to myself. “But the Turners?”
“They be blowed, we can tell them we missed the train.”
“That is just exactly what we shall do,” I said, pulling out my watch, “unless we start for the station right now.”
But Tom drew an acanthus leaf across his face and showed no signs of moving; so I filled my pipe again, and we missed the train.
As the sun dropped lower towards the sea, changing its silver line to gold, we pulled ourselves together, and for an hour or more sketched vigorously; but the mood was not on us. It was “too jolly fine to waste time working,” as Tom said; so we started off to explore the single street of the squalid town of Pesto that was lost within the walls of dead Poseidonia. It was not a pretty village,–if you can call a rut-riven lane and a dozen houses a village,–nor were the inhabitants thereof reassuring in appearance. There was no sign of a church,–nothing but dirty huts, and in the midst, one of two stories, rejoicing in the name of Albergo del Sole, the first story of which was a black and cavernous smithy, where certain swarthy knaves, looking like banditti out of a job, sat smoking sulkily.
“We might stay here all night,” said Tom, grinning askance at this choice company; but his suggestion was not received with enthusiasm.
Down where the lane from the station joined the main road stood the only sign of modern civilization,–a great square structure, half villa, half fortress, with round turrets on its four corners, and a ten-foot wall surrounding it. There were no windows in its first story, so far as we could see, and it had evidently been at one time the fortified villa of some Campanian noble. Now, however, whether because brigandage had been stamped out, or because the villa was empty and deserted, it was no longer formidable; the gates of the great wall hung sagging on their hinges, brambles growing all over them, and many of the windows in the upper story were broken and black. It was a strange place, weird and mysterious, and we looked at it curiously. “There is a story about that place,” said Tom, with conviction.
It was growing late: the sun was near the edge of the sea as we walked down the ivy-grown walls of the vanished city for the last time, and as we turned back, a red flush poured from the west, and painted the Doric temples in pallid rose against the evanescent purple of the Apennines. Already a thin mist was rising from the meadows, and the temples hung pink in the misty grayness.
It was a sorrow to leave the beautiful things, but we could run no risk of missing this last train, so we walked slowly back towards the temples.
“What is that Johnny waving his arm at us for?” asked Tom, suddenly.
“How should I know? We are not on his land, and the walls don’t matter.”
We pulled out our watches simultaneously.
“What time are you?” I said.
“Six minutes before six.”
“And I am seven minutes. It can’t take us all that time to walk to the station.”
“Are you sure the train goes at 6.11?”
“Dead sure,” I answered; and showed him the Indicatore.
By this time a woman and two children were shrieking at us hysterically; but what they said I had no idea, their Italian being of a strange and awful nature.