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“He looked up. All the beautiful rosy flowers were faded to a shady gray. The gold had disappeared from the water, and the forest was dense and gloomy. He arose with the lily in his hand, went slowly home, laid it in a casket to protect it from injury, and then proceeded to search for the palette, which he shortly found; and, lest he should break the spell, he began to use it that very night.

“Who would not like to have a fairy friend? Who would not like to work with a magic palette? Every day its virtues become more apparent. He worked very hard, and it was astonishing how soon he improved. His deep, heavy outlines soon became light and clear; and his coloring began to assume a transparent delicacy. He was so delighted with the fairy present that he even did more than was required of him. He spent nearly all his leisure time in using it, and often passed whole days beside the sheet of water in the forest. He painted it when the sun shone, and it was spotted all over with the reflection of fleeting white clouds; he painted it covered with water-lilies rocking on the ripples; by moonlight, when two or three stars in the empty sky shone down upon it; and at sunset, when it lay trembling like liquid gold.

“But the fairy never came to look at his work. He often called to her when he had been more than usually successful; but she never made him any answer, nor took the least notice of his entreaties that he might see her again.

“So a long time–several years–passed away. He was grown up to be a man, and he had never broken the charm; he still worked every day with his magic palette.

“No one in these parts cared at all for his pictures. His mother’s friends told him he would never get his bread by painting; his mother herself was sorry that he chose to waste his leisure so; and the more because the pictures on her walls were brighter far than his, and had clouds and trees of far clearer color, not like the common clouds and misty hills that he was so fond of painting, and his faintly colored distant forest, with uncertain and variable hues, such as she could see any day when she looked out at her window.

“It made the young man unhappy to hear all this fault found with his proceedings, but it never made him leave off using the fairy’s palette, though about this time he himself began to doubt whether he should ever be a painter. One evening he sat at his easel, trying in vain to give the expression he wished to an angel’s face, which seemed to get less and less like the face in his heart with every touch he gave it. On a sudden he threw down his brush, and with a feeling of bitter disappointment upbraided himself for what he now thought his folly in listening to the fairy, and accepting her delusive gift. What had he got by it hitherto? Nothing but his mother’s regrets and the ridicule of his companions. He threw himself on his bed. It grew dark; he could no longer be vexed with the sight of his unfinished angel; and presently he fell asleep and forgot his sorrow.

“In the middle of the night he suddenly awoke. His chamber was full of moonlight. The lid of the casket where he kept the lily had sprung open, and his fairy friend stood near it.

“‘American painter,’ she said, in a reproachful voice, ‘since you think I have been rather a foe than a friend to you, I am ready to take back my gift.’

“But sleep had now cooled the young painter’s mind, and softened his feelings of vexation, so that he did not find himself at all willing to part with the palette. While he hesitated how to excuse himself, she further said, ‘But if you still wish to try what it can do for you, take this ring which my sister sends you; wear it, and it will greatly assist the charm.’