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‘Never mind the earth. What about Huckley?’

‘Oh, Huckley got tight. That’s the worst of these model villages if you let ’em smell fire-water. There’s one alcoholic pub in the place that Sir Thomas can’t get rid of. Bat made it his base. He sent down the banquet in two motor lorries–dinner for five hundred and drinks for ten thousand. Huckley voted all right. Don’t you make any mistake about that. No vote, no dinner. A unanimous vote–exactly as I’ve said. At least, the Rector and the Doctor were the only dissentients. We didn’t count them. Oh yes, Sir Thomas was there. He came and grinned at us through his park gates. He’ll grin worse to-day. There’s an aniline dye that you rub through a stencil-plate that eats about a foot into any stone and wears good to the last. Bat had both the lodge-gates stencilled “The Earth is flat!” and all the barns and walls they could get at…. Oh Lord, but Huckley was drunk! We had to fill ’em up to make ’em forgive us for not being aeroplanes. Unthankful yokels! D’you realise that Emperors couldn’t have commanded the talent Bat decanted on ’em? Why, ‘Dal alone was…. And by eight o’clock not even a bit of paper left! The whole show packed up and gone, and Huckley hoo-raying for the earth being flat.’

‘Very good,’ I began. ‘I am, as you know, a one-third proprietor of The Bun.’

‘I didn’t forget that,’ Ollyett interrupted. ‘That was uppermost in my mind all the time. I’ve got a special account for The Bun to-day–it’s an idyll–and just to show how I thought of you, I told ‘Dal, coming home, about your Gubby Dance, and she told Winnie. Winnie came back in our char-a-banc. After a bit we had to get out and dance it in a field. It’s quite a dance the way we did it–and Lafone invented a sort of gorilla lockstep procession at the end. Bat had sent down a film-chap on the chance of getting something. He was the son of a clergyman–a most dynamic personality. He said there isn’t anything for the cinema in meetings qua meetings–they lack action. Films are a branch of art by themselves. But he went wild over the Gubby. He said it was like Peter’s vision at Joppa. He took about a million feet of it. Then I photoed it exclusive for The Bun. I’ve sent ’em in already, only remember we must eliminate Winnie’s left leg in the first figure. It’s too arresting…. And there you are! But I tell you I’m afraid of Bat. That man’s the Personal Devil. He did it all. He didn’t even come down himself. He said he’d distract his people.’

‘Why didn’t he ask me to come?’ I persisted.

‘Because he said you’d distract me. He said he wanted my brains on ice. He got ’em. I believe it’s the best thing I’ve ever done.’ He reached for The Cake and re-read it luxuriously. ‘Yes, out and away the best–supremely quotable,’ he concluded, and–after another survey–‘By God, what a genius I was yesterday!’

I would have been angry, but I had not the time. That morning, Press agencies grovelled to me in The Bun office for leave to use certain photos, which, they understood, I controlled, of a certain village dance. When I had sent the fifth man away on the edge of tears, my self-respect came back a little. Then there was The Bun’s poster to get out. Art being elimination, I fined it down to two words (one too many, as it proved)–‘The Gubby!’ in red, at which our manager protested; but by five o’clock he told me that I was the Napoleon of Fleet Street. Ollyett’s account in The Bun of the Geoplanarians’ Exercises and Love Feast lacked the supreme shock of his version in The Cake, but it bruised more; while the photos of ‘The Gubby’ (which, with Winnie’s left leg, was why I had set the doubtful press to work so early) were beyond praise and, next day, beyond price. But even then I did not understand.