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The Veiled Lady And The Shadow
by
“I was just going to say,” said Mr. Crow, twisting his whiskers reflectively, “that maybe she does it because she’s had smallpox, or been terribly scalded, or is cross-eyed, or something like that.”
Mr. Squires inwardly rejoiced. He knew that the seed had been planted in the Marshal’s fertile brain, that it would thrive in the night and sprout on the morrow. He saw delectable operations ahead; he was fond of the old man, but nothing afforded him greater entertainment than the futile but vainglorious efforts of Anderson Crow to achieve renown as a detective.
The reporter was a constant thorn in the side of Crow, who both loved and feared him. The Banner seldom appeared without some sarcastic advice to the Marshal of Tinkletown, but an adjoining column invariably contained something of a complimentary character, the one so adroitly offsetting the other that Mr. Crow never knew whether he was “afoot or horseback,” to quote him in his perplexity.
Harry Squires had worked on a New York morning paper in his early days. His health failing him, he was compelled to abandon what might have become a really brilliant career as a journalist. Lean, sick and disheartened, he came to Bramble County to spend the winter with an old aunt, who lived among the pine-covered hills above the village of Tinkletown. That was twenty years ago. For nineteen years he had filled the high-sounding post of city editor on the Banner. He always maintained that the most excruciating thing he had ever written was the line at the top of the first column of the so-called editorial page, which said: “City Editor–Harry Sylvester Squires.” Nothing, he claimed, could be more provocative of hilarity than that.
In his capacity as city editor, he wrote advertisements, personals, editorials, news-items, death-notices, locals and practically everything else in the paper except the poetry sent in by Miss Sue Becker. He even wrote the cable and telegraph matter, always ascribing it to a “Special Correspondent of the Banner.” In addition to all this, he “made-up” the forms, corrected proof, wrote “heads,” stood over the boy who ran the press and stood over him when he wasn’t running the press, took all the blame and none of the credit for things that appeared in the paper, and once a week accepted currency to the amount of fifteen dollars as an honorarium.
Regarding himself as permanently buried in this out-of-the-way spot on the earth’s surface, he had the grim humour to write his own “obituary” and publish it in the columns of the Banner. He began it by saying that he was going to tell the truth, the whole truth and nothing but the truth about the “deceased.” He had written hundreds of obituaries during his career as city editor, he said, and not once before had he been at liberty to tell the truth. In view of the fact that he had no relations to stop their subscriptions to the paper, he felt that for once in his life he could take advantage of an opportunity to write exactly as he felt about the deceased.
He left out such phrases as “highly esteemed citizen,” “nobility of character,” “loss to the community,” “soul of integrity” and other stock expressions. At the end he begged to inform his friends that flowers might be deposited at the Banner office or at his room in Mrs. Camp’s boarding-house, as he was buried in both places. Buttonhole bouquets could be pinned upon him any day by simply stopping his customary funeral procession about town. Such attentions should always be accompanied by gentle words or exclamations of satisfaction, as for example: “How natural you look!” or “You owed me ten dollars, but I forgive you,” or “It’s a pity your friends allowed you to to be laid away in a suit of clothes like that,” or “I don’t believe half the things people said about you,” or “It’s a perfect shame you don’t feel like resting in peace,” or “Did you leave anything worth mentioning?” He also suggested that he would rest much easier in his grave if a slight increase in salary attended the obsequies.