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PAGE 5

The Understudy
by [?]

“No, no; I had good reasons for breaking with him. They hold as good to-day as ten years ago.”

“Very well,” said the other scornfully. “Then never dare to tell yourself again that you ever loved him. Let that lie cease. Your love was only pretty words and pride and self-seeking, and a miserable streak of passion. What do you care what happens to him? Don’t go back. You don’t care for him. You never cared. Never, never. And he knows it. He is telling himself so now–at this moment.”

She stopped the brougham. She trembled so much that she could hardly tell the man to drive back to the theatre. He turned slowly, the horse evidently reluctant, and in a few minutes she was once more at the private entrance. The door was closed. No one was to be seen in the little cul de sac. The lamp over the door was out. She got out and rang–once, twice, and yet again. Then she realised that every one else had hurried away as precipitately as she had done, for the dawn was already in the sky. She dragged herself back into her carriage and drove home, shaking in every limb.

After all, it did not matter. She would get his address from the manager first thing to-morrow, and go straight on and see him, and sacrifice her pride, and beseech him to take her back. She had been too proud. She saw that at last. She would say so. She saw at last that resentment is disloyalty. She would say so. She was so sick of her present life that she would say anything. And he loved her still, thank God! And–thank God, too–she was rich. And it was obvious that he was poor. She had much to share with him. And she was still attractive. Other men still wished to marry her. She was pretty, still. All that she had, all that she still was, she would give him. And this long nightmare of the last ten years would pass at last, as that other nightmare of her youth had passed–her wretched home, with a drunken father and a heartbroken mother. That had passed, though at the time it had seemed as if it would endure for ever. Her parents had died, and her vulgar, kindly, rich aunt had adopted her. And now this second nightmare was at an end, too. The ache would go out of her life, the long daily hunger and thirst would cease. There would be no more dreadful homecomings after evenings of amusement; no more sick recoil and despair at waking and seeing the pale finger of the dawn upon the blind. She would be happy at last.

Marion cried herself to sleep that night. Next morning, as early as she dared, she was at the theatre. The manager was going through his usual paroxysm of anxiety and ill-temper which preceded a first night. He could hardly find time for a word with her. There was a hitch in the scenery of the last act; the lighting was not yet repaired; one of the actors of the minor parts was ill, for whom an understudy had not been provided; and the head scene-shifter had sprained his wrist.

“I won’t keep you,” said Marion, as he hurried up, fuming; “I only want Mr. Delacour’s address. I should like to see him at once–to–to talk to him about his part. There are a few points—-“

“Delacour’s address?” said the manager. “Don’t know it. Oh, yes, of course!” He tore a little notebook out of his pocket. Then he suddenly looked up at her. “Don’t go to him. Send for him, if you like, or see him here. He’ll be here in an hour–at least, he will be if Smith is worth his salt. I’ve bribed him to keep a lynx eye on him day and night, and bring him up to time. But don’t go and see him. I suppose you know he—-“