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“Of course he doesn’t, Sol,” said Miss Euphemia. “I could have told you that. He didn’t even know ME!”

The voice and mock-heroic attitude of the speaker was enough to relieve the general embarrassment with a laugh. Rand, now pleasantly conscious of only Miss Euphemia’s presence, again offered the hospitality of his cabin, with the polite recognition of her friends in the sentence, “and you might as well come along too.”

“But won’t we incommode the lady of the house?” said Mrs. Sol politely.

“What lady of the house”? said Rand almost angrily.

“Why, Ruth, you know!”

It was Rand’s turn to become hilarious. “Ruth,” he said, “is short for Rutherford, my brother.” His laugh, however, was echoed only by Euphemia.

“Then you have a brother?” said Mrs. Sol benignly.

“Yes,” said Rand: “he will be here soon.” A sudden thought dropped the color from his cheek. “Look here,” he said, turning impulsively upon Sol. “I have a brother, a twin-brother. It couldn’t be HIM–“

Sol was conscious of a significant feminine pressure on his right arm. He was equal to the emergency. “I think not,” he said dubiously, “unless your brother’s hair is much darker than yours. Yes! now I look at you, yours is brown. He has a mole on his right cheek hasn’t he?”

The red came quickly back to Rand’s boyish face. He laughed. “No, sir: my brother’s hair is, if any thing, a shade lighter than mine, and nary mole. Come along!”

And leading the way, Rand disclosed the narrow steps winding down to the shelf on which the cabin hung. “Be careful,” said Rand, taking the now unresisting hand of the “Marysville Pet” as they descended: “a step that way, and down you go two thousand feet on the top of a pine-tree.”

But the girl’s slight cry of alarm was presently changed to one of unaffected pleasure as they stood on the rocky platform. “It isn’t a house: it’s a NEST, and the loveliest!” said Euphemia breathlessly.

“It’s a scene, a perfect scene, sir!” said Sol, enraptured. “I shall take the liberty of bringing my scene-painter to sketch it some day. It would do for ‘The Mountaineer’s Bride’ superbly, or,” continued the little man, warming through the blue-black border of his face with professional enthusiasm, “it’s enough to make a play itself. ‘The Cot on the Crags.’ Last scene–moonlight–the struggle on the ledge! The Lady of the Crags throws herself from the beetling heights!–A shriek from the depths–a woman’s wail!”

“Dry up!” sharply interrupted Rand, to whom this speech recalled his brother’s half-forgotten strangeness. “Look at the prospect.”

In the full noon of a cloudless day, beneath them a tumultuous sea of pines surged, heaved, rode in giant crests, stretched and lost itself in the ghostly, snow-peaked horizon. The thronging woods choked every defile, swept every crest, filled every valley with its dark-green tilting spears, and left only Table Mountain sunlit and bare. Here and there were profound olive depths, over which the gray hawk hung lazily, and into which blue jays dipped. A faint, dull yellowish streak marked an occasional watercourse; a deeper reddish ribbon, the mountain road and its overhanging murky cloud of dust.

“Is it quite safe here?” asked Mrs. Sol, eying the little cabin. “I mean from storms?”

“It never blows up here,” replied Rand, “and nothing happens.”

“It must be lovely,” said Euphemia, clasping her hands.

“It IS that,” said Rand proudly. “It’s four years since Ruth and I took up this yer claim, and raised this shanty. In that four years we haven’t left it alone a night, or cared to. It’s only big enough for two, and them two must be brothers. It wouldn’t do for mere pardners to live here alone,–they couldn’t do it. It wouldn’t be exactly the thing for man and wife to shut themselves up here alone. But Ruth and me know each other’s ways, and here we’ll stay until we’ve made a pile. We sometimes–one of us–takes a pasear to the Ferry to buy provisions; but we’re glad to crawl up to the back of old ‘Table’ at night.”