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Caleb was tall, loose-jointed, and black as a thunder-cloud–the swarthy skin, like the big foot, having been bequeathed to him by the original Caleb, whose long-legged, shaggy-haired sons had been known as “Caleb’s colts.” Tall and black, all of them, the “colts,” so black that the village wits said the Kimball children must have eaten smut and soot and drunk cinder tea during the years their parents were clearing the land. Tall and black also were all the Kimball daughters, so tall it was their boast to be able to look out over the tops of the window curtains; and proud enough of their height to cry with rage when any rival Amazon came into the neighborhood.

Whatever else they were or were not, however, the Kimballs had always been industrious and frugal. It had remained for the last scion of the old stock to furnish a byword for slackness. In a village where stories of outlandish, ungodly, or supernatural laziness were sacredly preserved from year to year, Caleb Kimball’s indolence easily took the palm. His hay commonly went to seed in the field. His cow yielded her morning’s milk about noon, and her evening “mess” was taken from her (when she was lucky) by the light of a lantern. He was a bachelor of forty-five, dwelt alone, had no visitors and made his living, such as it was, off the farm, with the help of a rack-o’-bones horse. He had fifty acres of timber-land, and when his easy-going methods of farming found him without money he simply sold a few trees.

The house and barn were gradually falling into ruins; the farm implements stood in the yard all winter, and the sleigh all summer. The gate flapped on its hinges, the fences were broken down, and the stone walls were full of gaps. His pipe, and a snarling rough-haired dog, were his only companions. Hour after hour he sat on the side steps looking across the sloping meadows that separated his place from Amanda Dalton’s; hour after hour he puffed his pipe and gazed on the distant hills and the sparkling river; gazed and gazed–whether he saw anything or thought anything, remembered anything, or even dreamed anything, nobody could guess, not even Amanda Dalton, who was good at guessing, having very few other mental recreations to keep her mother-wit alive.

Caleb Kimball, as seen on his doorstep from Amanda Dalton’s sink window, was but a speck, to be sure, but he was her nearest neighbor; if a person whose threshold you never cross, and who never crosses yours, can be called a neighbor. There were seldom or never meetings or greetings between the two, yet each unconsciously was very much alive to the existence of the other. In days or evenings of solitude one can make neighbors of very curious things.

The smoke of Amanda’s morning fire cried “Shame” to Caleb’s when it issued languidly from his kitchen chimney an hour later. Amanda’s smoke was like herself, and betokened the brisk fire she would be likely to build; Caleb’s showed wet wood, poor draught, a fallen brick in the chimney.

Later on in the morning Caleb’s dog would sometimes saunter down the road and have a brief conversation with Amanda’s cat. They were neither friends nor enemies, but merely enlivened a deadly, dull existence with a few casual remarks on current topics.

Once Caleb had possessed a flock of hens, but in the course of a few years they had dwindled to one lonely rooster, who stalked gloomily through the wilderness of misplaced objects in the Kimball yard, and wondered why he had been born.

Amanda pitied him, and flung him a surreptitious handful of corn from her apron pocket when she met him walking dejectedly in the road halfway between the two houses. So encouraged he extended his rambles, and one afternoon Amanda, looking out of her window, saw him stop at her gate and hold a tete-a-tete with one of her Plymouth Rock hens. The interview was brief but effective. In a twinkling he had told her of his miserable life and his abject need of sympathy.