PAGE 2
The Tragedy At Brookbend Cottage
by
“Go on,” said Carrados quietly. “A week of the depressing surroundings of Brookbend Cottage would not alone convince you of that, Mr. Hollyer.”
“I am not so sure,” declared Hollyer doubtfully. “There was a feeling of suspicion and–before me–polite hatred that would have gone a good way towards it. All the same there was something more definite. Millicent told me this the day after I went there. There is no doubt that a few months ago Creake deliberately planned to poison her with some weed-killer. She told me the circumstances in a rather distressed moment, but afterwards she refused to speak of it again–even weakly denied it–and, as a matter of fact, it was with the greatest of difficulty that I could get her at any time to talk about her husband or his affairs. The gist of it was that she had the strongest suspicion that Creake doctored a bottle of stout which he expected she would drink for her supper when she was alone. The weed-killer, properly labelled, but also in a beer bottle, was kept with other miscellaneous liquids in the same cupboard as the beer but on a high shelf. When he found that it had miscarried he poured away the mixture, washed out the bottle and put in the dregs from another. There is no doubt in my mind that if he had come back and found Millicent dead or dying he would have contrived it to appear that she had made a mistake in the dark and drunk some of the poison before she found out.”
“Yes,” assented Carrados. “The open way; the safe way.”
“You must understand that they live in a very small style, Mr. Carrados, and Millicent is almost entirely in the man’s power. The only servant they have is a woman who comes in for a few hours every day. The house is lonely and secluded. Creake is sometimes away for days and nights at a time, and Millicent, either through pride or indifference, seems to have dropped off all her old friends and to have made no others. He might poison her, bury the body in the garden, and be a thousand miles away before anyone began even to inquire about her. What am I to do, Mr. Carrados?”
“He is less likely to try poison than some other means now,” pondered Carrados. “That having failed, his wife will always be on her guard. He may know, or at least suspect, that others know. No. … The common-sense precaution would be for your sister to leave the man, Mr. Hollyer. She will not?”
“No,” admitted Hollyer, “she will not. I at once urged that.” The young man struggled with some hesitation for a moment and then blurted out: “The fact is, Mr. Carrados, I don’t understand Millicent. She is not the girl she was. She hates Creake and treats him with a silent contempt that eats into their lives like acid, and yet she is so jealous of him that she will let nothing short of death part them. It is a horrible life they lead. I stood it for a week and I must say, much as I dislike my brother-in-law, that he has something to put up with. If only he got into a passion like a man and killed her it wouldn’t be altogether incomprehensible.”
“That does not concern us,” said Carrados. “In a game of this kind one has to take sides and we have taken ours. It remains for us to see that our side wins. You mentioned jealousy, Mr. Hollyer. Have you any idea whether Mrs. Creake has real ground for it?”
“I should have told you that,” replied Lieutenant Hollyer. “I happened to strike up with a newspaper man whose office is in the same block as Creake’s. When I mentioned the name he grinned. ‘Creake,’ he said, ‘oh, he’s the man with the romantic typist, isn’t he?’ ‘Well, he’s my brother-in-law,’ I replied. ‘What about the typist?’ Then the chap shut up like a knife. ‘No, no,’ he said, ‘I didn’t know he was married. I don’t want to get mixed up in anything of that sort. I only said that he had a typist. Well, what of that? So have we; so has everyone.’ There was nothing more to be got out of him, but the remark and the grin meant–well, about as usual, Mr. Carrados.”