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She was a foundling, probably of some gipsy race, brought up in a Roman Catholic Rescue Home. A nave, paganly religious being, she was attached to the Baroness, with whom she had served for seven years, since she was fourteen.

She came into contact with no one, unless it were with Ida Hesse, the governess. Ida was a calculating, good-natured, not very straight-forward flirt. She was the daughter of a poor country doctor. Having gradually come into connection with Emilie, more an alliance than an attachment, she put no distinction of grade between the two of them. They worked together, sang together, walked together, and went together to the rooms of Franz Brand, Ida’s sweetheart. There the three talked and laughed together, or the women listened to Franz, who was a forester, playing on his violin.

In all this alliance there was no personal intimacy between the young women. Emilie was naturally secluded in herself, of a reserved, native race. Ida used her as a kind of weight to balance her own flighty movement. But the quick, shifty governess, occupied always in her dealings with admirers, did all she could to move the violent nature of Emilie towards some connection with men.

But the dark girl, primitive yet sensitive to a high degree, was fiercely virgin. Her blood flamed with rage when the common soldiers made the long, sucking, kissing noise behind her as she passed. She hated them for their almost jeering offers. She was well protected by the Baroness.

And her contempt of the common men in general was ineffable. But she loved the Baroness, and she revered the Baron, and she was at her ease when she was doing something for the service of a gentleman. Her whole nature was at peace in the service of real masters or mistresses. For her, a gentleman had some mystic quality that left her free and proud in
service. The common soldiers were brutes, merely nothing. Her desire was to serve.

She held herself aloof. When, on Sunday afternoon, she had looked through the windows of the Reichshalle in passing, and had seen the soldiers dancing with the common girls, a cold revulsion and anger had possessed her. She could not bear to see the soldiers taking off their belts and pulling open their tunics, dancing with their shirts showing through the open, sagging tunic, their movements gross, their faces transfigured and sweaty, their coarse hands holding their coarse girls under the arm-pits, drawing the female up to their breasts. She hated to see them clutched breast to breast, the legs of the men moving grossly in the dance.

At evening, when she had been in the garden, and heard on the other side of the hedge the sexual inarticulate cries of the girls in the embraces of the soldiers, her anger had been too much for her, and she had cried, loud and cold:

“What are you doing there, in the hedge?”

She would have had them whipped.

But Bachmann was not quite a common soldier. Frulein Hesse had found out about him, and had drawn him and Emilie together. For he was a handsome, blond youth, erect and walking with a kind of pride, unconscious yet clear. Moreover, he came of a rich farming stock, rich for many generations. His father was dead, his mother controlled the moneys for the time being. But if Bachmann wanted a hundred pounds at any moment, he could have them. By trade he, with one of his brothers, was a waggon-builder. The family had the farming, smithy, and waggon-building of their village. They worked because that was the form of life they knew. If they had chosen, they could have lived independent upon their means.