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The man stiffened suddenly and he seemed at once to blanch and flame at the promise as if it were a threat.

“Chickens!” he repeated, with a passion of contempt.

“Why do you object?” asked the placid candidate. “Because keeping hens is rather a mild amusement for a poacher? What about poaching eggs?”

“Because I am not a poacher,” cried Adam, in a rending voice that rang round the hollow shrines and urns like the echoes of his gun. “Because the partridge lying dead over there is my partridge. Because the land you are standing on is my land. Because my own land was only taken from me by a crime, and a worse crime than poaching. This has been a single estate for hundreds and hundreds of years, and if you or any meddlesome mountebank comes here and talks of cutting it up like a cake, if I ever hear a word more of you and your leveling lies–“

“You seem to be a rather turbulent public,” observed Horne Fisher, “but do go on. What will happen if I try to divide this estate decently among decent people?”

The poacher had recovered a grim composure as he replied. “There will be no partridge to rush in between.”

With that he turned his back, evidently resolved to say no more, and walked past the temple to the extreme end of the islet, where he stood staring into the water. Fisher followed him, but, when his repeated questions evoked no answer, turned back toward the shore. In doing so he took a second and closer look at the artificial temple, and noted some curious things about it. Most of these theatrical things were as thin as theatrical scenery, and he expected the classic shrine to be a shallow thing, a mere shell or mask. But there was some substantial bulk of it behind, buried in the trees, which had a gray, labyrinthian look, like serpents of stone, and lifted a load of leafy towers to the sky. But what arrested Fisher’s eye was that in this bulk of gray-white stone behind there was a single door with great, rusty bolts outside; the bolts, however, were not shot across so as to secure it. Then he walked round the small building, and found no other opening except one small grating like a ventilator, high up in the wall. He retraced his steps thoughtfully along the causeway to the banks of the lake, and sat down on the stone steps between the two sculptured funeral urns. Then he lit a cigarette and smoked it in ruminant manner; eventually he took out a notebook and wrote down various phrases, numbering and renumbering them till they stood in the following order: “(1) Squire Hawker disliked his first wife. (2) He married his second wife for her money. (3) Long Adam says the estate is really his. (4) Long Adam hangs round the island temple, which looks like a prison. (5) Squire Hawker was not poor when he gave up the estate. (6) Verner was poor when he got the estate.”

He gazed at these notes with a gravity which gradually turned to a hard smile, threw away his cigarette, and resumed his search for a short cut to the great house. He soon picked up the path which, winding among clipped hedges and flower beds, brought him in front of its long Palladian facade. It had the usual appearance of being, not a private house, but a sort of public building sent into exile in the provinces.

He first found himself in the presence of the butler, who really looked much older than the building, for the architecture was dated as Georgian; but the man’s face, under a highly unnatural brown wig, was wrinkled with what might have been centuries. Only his prominent eyes were alive and alert, as if with protest. Fisher glanced at him, and then stopped and said:

“Excuse me. Weren’t you with the late squire, Mr. Hawker?”