**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 30

The Tale Of Chloe: An Episode In The History Of Beau Beamish
by [?]

‘Are you feverish, madam?’ said Chloe. And the duchess was sharp on her: ‘Yes, madam, I am.’

She reproved herself in a change of tone: ‘No, Chloe, not feverish, only this air of yours here is such an exciting air, as the doctor says; and they made me drink wine, and I played before supper–Oh! my money; I used to say I could get more, but now!’ she sighed–‘but there’s better in the world than money. You know that, don’t you, you dear? Tell me. And I want you to be happy; that you’ll find. I do wish we could all be!’ She wept, and spoke of requiring a little music to compose her.

Chloe stretched a hand for her guitar. Duchess Susan listened to some notes, and cried that it went to her heart and hurt her. ‘Everything we like a lot has a fence and a board against trespassers, because of such a lot of people in the world,’ she moaned. ‘Don’t play, put down that thing, please, dear. You’re the cleverest creature anybody has ever met; they all say so. I wish I—-Lovely women catch men, and clever women keep them: I’ve heard that said in this wretched place, and it ‘s a nice prospect for me, next door to a fool! I know I am.’

‘The duke adores you, madam.’

‘Poor duke! Do let him be–sleeping so woebegone with his mouth so, and that chin of a baby, like as if he dreamed of a penny whistle. He shouldn’t have let me come here. Talk of Mr. Beamish. How he will miss you, Chloe!’

‘He will,’ Chloe said sadly.

‘If you go, dear.’

‘I am going.’

‘Why should you leave him, Chloe?’

‘I must.’

‘And there, the thought of it makes you miserable!’

‘It does.’

‘You needn’t, I’m sure.’

Chloe looked at her.

The duchess turned her head. ‘Why can’t you be gay, as you were at the supper-table, Chloe? You’re out to him like a flower when the sun jumps over the hill; you’re up like a lark in the dews; as I used to be when I thought of nothing. Oh, the early morning; and I’m sleepy. What a beast I feel, with my grandeur, and the time in an hour or two for the birds to sing, and me ready to drop. I must go and undress.’

She rushed on Chloe, kissed her hastily, declaring that she was quite dead of fatigue, and dismissed her. ‘I don’t want help, I can undress myself. As if Susan Barley couldn’t do that for herself! and you may shut your door, I sha’n’t have any frights to-night, I’m so tired out.’

‘Another kiss,’ Chloe said tenderly.

‘Yes, take it’–the duchess leaned her cheek–‘but I’m so tired I don’t know what I’m doing.’

‘It will not be on your conscience,’ Chloe answered, kissing her warmly.

Will those words she withdrew, and the duchess closed the door. She ran a bolt in it immediately.

‘I’m too tired to know anything I’m doing,’ she said to herself, and stood with shut eyes to hug certain thoughts which set her bosom heaving.

There was the bed, there was the clock. She had the option of lying down and floating quietly into the day, all peril past. It seemed sweet for a minute. But it soon seemed an old, a worn, an end-of-autumn life, chill, without aim, like a something that was hungry and toothless. The bed proposing innocent sleep repelled her and drove her to the clock. The clock was awful: the hand at the hour, the finger following the minute, commanded her to stir actively, and drove her to gentle meditations on the bed. She lay down dressed, after setting her light beside the clock, that she might see it at will, and considering it necessary for the bed to appear to have been lain on. Considering also that she ought to be heard moving about in the process of undressing, she rose from the bed to make sure of her reading of the guilty clock. An hour and twenty minutes! she had no more time than that: and it was not enough for her various preparations, though it was true that her maid had packed and taken a box of the things chiefly needful; but the duchess had to change her shoes and her dress, and run at bo-peep with the changes of her mind, a sedative preface to any fatal step among women of her complexion, for so they invite indecision to exhaust their scruples, and they let the blood have its way. Having so short a space of time, she thought the matter decided, and with some relief she flung despairing on the bed, and lay down for good with her duke. In a little while her head was at work reviewing him sternly, estimating him not less accurately than the male moralist charitable to her sex would do. She quitted the bed, with a spring to escape her imagined lord; and as if she had felt him to be there, she lay down no more. A quiet life like that was flatter to her idea than a handsomely bound big book without any print on the pages, and without a picture. Her contemplation of it, contrasted with the life waved to her view by the timepiece, set her whole system rageing; she burned to fly. Providently, nevertheless, she thumped a pillow, and threw the bedclothes into proper disorder, to inform the world that her limbs had warmed them, and that all had been impulse with her. She then proceeded to disrobe, murmuring to herself that she could stop now, and could stop now, at each stage of the advance to a fresh dressing of her person, and moralizing on her singular fate, in the mouth of an observer. ‘She was shot up suddenly over everybody’s head, and suddenly down she went.’ Susan whispered to herself: ‘But it was for love!’ Possessed by the rosiness of love, she finished her business, with an attention to everything needed that was equal to perfect serenity of mind. After which there was nothing to do, save to sit humped in a chair, cover her face and count the clock-tickings, that said, Yes–no; do–don’t; fly– stay; fly–fly! It seemed to her she heard a moving. Well she might with that dreadful heart of hers!