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PAGE 21

The Tale Of Chloe: An Episode In The History Of Beau Beamish
by [?]

She should not leave it to his imagination to conceive that in the end the blind may awaken to thwart him. Better for her to cast him hence, or let him know that she will do battle to keep him. But the pride of a love that has hardened in the faithfulness of love cannot always be wise on trial.

Caseldy walked considerably in the rear of the couple of chairs. He saw on his way what was coming. His two young squires were posted at Duchess Susan’s door when she arrived, and he received a blow from one of them in clearing a way for her. She plucked at his hand. ‘Have they hurt you?’ she asked.

‘Think of me to-night thanking them and heaven for this, my darling,’ he replied, with a pressure that lit the flying moment to kindle the after hours.

Chloe had taken help of one of her bearers to jump out. She stretched a finger at the unruly intruders, crying sternly, ‘There is blood on you– come not nigh me!’ The loftiest harangue would not have been so cunning to touch their wits. They stared at one another in the clear moonlight. Which of them had blood on him? As they had not been for blood, but for rough fun, and something to boast of next day, they gesticulated according to the first instructions of the dancing master, by way of gallantry, and were out of Caseldy’s path when he placed himself at his liege lady’s service. ‘Take no notice of them, dear,’ she said.

‘No, no,’ said he; and ‘What is it?’ and his hoarse accent and shaking clasp of her arm sickened her to the sensation of approaching death.

Upstairs Duchess Susan made a show of embracing her. Both were trembling. The duchess ascribed her condition to those dreadful men. ‘What makes them be at me so?’ she said.

And Chloe said, ‘Because you are beautiful.’

‘Am I?’

‘You are.’

‘I am?’

‘Very beautiful; young and beautiful; beautiful in the bud. You will learn to excuse them, madam.’

‘But, Chloe–‘ The duchess shut her mouth. Out of a languid reverie, she sighed: ‘I suppose I must be! My duke–oh, don’t talk of him. Dear man! he’s in bed and fast asleep long before this. I wonder how he came to let me come here.

I did bother him, I know. Am I very, very beautiful, Chloe, so that men can’t help themselves?’

‘Very, madam.’

‘There, good-night. I want to be in bed, and I can’t kiss you because you keep calling me madam, and freeze me to icicles; but I do love you, Chloe.’

‘I am sure you do.’

‘I’m quite certain I do. I know I never mean harm. But how are we women expected to behave, then? Oh, I’m unhappy, I am.’

‘You must abstain from playing.’

‘It’s that! I’ve lost my money–I forgot. And I shall have to confess it to my duke, though he warned me. Old men hold their fingers up–so! One finger: and you never forget the sight of it, never. It’s a round finger, like the handle of a jug, and won’t point at you when they’re lecturing, and the skin’s like an old coat on gaffer’s shoulders–or, Chloe! just like, when you look at the nail, a rumpled counterpane up to the face of a corpse. I declare, it’s just like! I feel as if I didn’t a bit mind talking of corpses tonight. And my money’s gone, and I don’t much mind. I’m a wild girl again, handsomer than when that—-he is a dear, kind, good old nobleman, with his funny old finger: “Susan! Susan!” I’m no worse than others. Everybody plays here; everybody superior. Why, you have played, Chloe.’

‘Never!’

‘I’ve heard you say you played once, and a bigger stake it was, you said, than anybody ever did play.’