PAGE 6
The Spectacles
by
“As I live, there she is!” cried one.
“Surprisingly beautiful!” exclaimed a second.
“An angel upon earth!” ejaculated a third.
I looked; and in an open carriage which approached us, passing slowly down the street, sat the enchanting vision of the opera, accompanied by the younger lady who had occupied a portion of her box.
“Her companion also wears remarkably well,” said the one of my trio who had spoken first.
“Astonishingly,” said the second; “still quite a brilliant air, but art will do wonders. Upon my word, she looks better than she did at Paris five years ago. A beautiful woman still; — don’t you think so, Froissart? — Simpson, I mean.”
“Still!” said I, “and why shouldn’t she be? But compared with her friend she is as a rush — light to the evening star — a glow — worm to Antares.
“Ha! ha! ha! — why, Simpson, you have an astonishing tact at making discoveries — original ones, I mean.” And here we separated, while one of the trio began humming a gay vaudeville, of which I caught only the lines-
Ninon, Ninon, Ninon a bas-
A bas Ninon De L’Enclos!
During this little scene, however, one thing had served greatly to console me, although it fed the passion by which I was consumed. As the carriage of Madame Lalande rolled by our group, I had observed that she recognized me; and more than this, she had blessed me, by the most seraphic of all imaginable smiles, with no equivocal mark of the recognition.
As for an introduction, I was obliged to abandon all hope of it until such time as Talbot should think proper to return from the country. In the meantime I perseveringly frequented every reputable place of public amusement; and, at length, at the theatre, where I first saw her, I had the supreme bliss of meeting her, and of exchanging glances with her once again. This did not occur, however, until the lapse of a fortnight. Every day, in the interim, I had inquired for Talbot at his hotel, and every day had been thrown into a spasm of wrath by the everlasting “Not come home yet” of his footman.
Upon the evening in question, therefore, I was in a condition little short of madness. Madame Lalande, I had been told, was a Parisian — had lately arrived from Paris — might she not suddenly return? — return before Talbot came back — and might she not be thus lost to me forever? The thought was too terrible to bear. Since my future happiness was at issue, I resolved to act with a manly decision. In a word, upon the breaking up of the play, I traced the lady to her residence, noted the address, and the next morning sent her a full and elaborate letter, in which I poured out my whole heart.
I spoke boldly, freely — in a word, I spoke with passion. I concealed nothing — nothing even of my weakness. I alluded to the romantic circumstances of our first meeting — even to the glances which had passed between us. I went so far as to say that I felt assured of her love; while I offered this assurance, and my own intensity of devotion, as two excuses for my otherwise unpardonable conduct. As a third, I spoke of my fear that she might quit the city before I could have the opportunity of a formal introduction. I concluded the most wildly enthusiastic epistle ever penned, with a frank declaration of my worldly circumstances — of my affluence — and with an offer of my heart and of my hand.
In an agony of expectation I awaited the reply. After what seemed the lapse of a century it came.
Yes, actually came. Romantic as all this may appear, I really received a letter from Madame Lalande — the beautiful, the wealthy, the idolized Madame Lalande. Her eyes — her magnificent eyes, had not belied her noble heart. Like a true Frenchwoman as she was she had obeyed the frank dictates of her reason — the generous impulses of her nature — despising the conventional pruderies of the world. She had not scorned my proposals. She had not sheltered herself in silence. She had not returned my letter unopened. She had even sent me, in reply, one penned by her own exquisite fingers. It ran thus: