PAGE 8
The Southwest Chamber
by
Miss Sophia Gill, who had not spoken one word, but whose mouth had become more and more rigidly compressed, suddenly rose from the table, forcing the minister to leave a little pudding, at which he glanced regretfully.
Miss Louisa Stark did not sit down in the parlour with the other boarders. She went straight to her room. She felt tired after her journey, and meditated a loose wrapper and writing a few letters quietly before she went to bed. Then, too, she was conscious of a feeling that if she delayed, the going there at all might assume more terrifying proportions. She was full of defiance against herself and her own lurking weakness.
So she went resolutely and entered the southwest chamber. There was through the room a soft twilight. She could dimly discern everything, the white satin scroll-work on the wall paper and the white counterpane on the bed being most evident. Consequently both arrested her attention first. She saw against the wall-paper directly facing the door the waist of her best black satin dress hung over a picture.
“That is very strange,” she said to herself, and again a thrill of vague horror came over her.
She knew, or thought she knew, that she had put that black satin dress waist away nicely folded between towels in her trunk. She was very choice of her black satin dress.
She took down the black waist and laid it on the bed preparatory to folding it, but when she attempted to do so she discovered that the two sleeves were firmly sewed together. Louisa Stark stared at the sewed sleeves. “What does this mean?” she asked herself. She examined the sewing carefully; the stitches were small, and even, and firm, of black silk.
She looked around the room. On the stand beside the bed was something which she had not noticed before: a little old-fashioned work-box with a picture of a little boy in a pinafore on the top. Beside this work-box lay, as if just laid down by the user, a spool of black silk, a pair of scissors, and a large steel thimble with a hole in the top, after an old style. Louisa stared at these, then at the sleeves of her dress. She moved toward the door. For a moment she thought that this was something legitimate about which she might demand information; then she became doubtful. Suppose that work-box had been there all the time; suppose she had forgotten; suppose she herself had done this absurd thing, or suppose that she had not, what was to hinder the others from thinking so; what was to hinder a doubt being cast upon her own memory and reasoning powers?
Louisa Stark had been on the verge of a nervous breakdown in spite of her iron constitution and her great will power. No woman can teach school for forty years with absolute impunity. She was more credulous as to her own possible failings than she had ever been in her whole life. She was cold with horror and terror, and yet not so much horror and terror of the supernatural as of her own self. The weakness of belief in the supernatural was nearly impossible for this strong nature. She could more easily believe in her own failing powers.
“I don’t know but I’m going to be like Aunt Marcia,” she said to herself, and her fat face took on a long rigidity of fear.
She started toward the mirror to unfasten her dress, then she remembered the strange circumstance of the brooch and stopped short. Then she straightened herself defiantly and marched up to the bureau and looked in the glass. She saw reflected therein, fastening the lace at her throat, the old-fashioned thing of a large oval, a knot of fair and black hair under glass, set in a rim of twisted gold. She unfastened it with trembling fingers and looked at it. It was her own brooch, the cluster of pearl grapes on black onyx. Louisa Stark placed the trinket in its little box on the nest of pink cotton and put it away in the bureau drawer. Only death could disturb her habit of order.