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But what of Jerry? He comes to you in the morning as if nothing had happened, with a “How are you, old fellow?”

You are so indignant you can’t speak; all you are able to do is to glare in scorn and anger.

“Afraid you’re not well,” remarks the sneak; “change of scene, you know. I hope you’ll soon be better.”

Just as he is going you manage, though almost bursting with the effort, to stammer out–“What do you mean by telling tales of me to all the fellows?” He looks perplexed, as if at a loss for your meaning. “Tell tales of you?” says he. “I don’t know what you mean, old chap.”

“Yes, you do. How did they all know all about me this morning, if you hadn’t told them?”

Then, as if your meaning suddenly dawned upon him, he breaks into a forced laugh, and exclaims–

“Oh, the chaff between Tom and Jack! I was awfully angry with Jack for beginning it–awfully angry. We happened to be talking last night, you know, about home, and I just mentioned what you had told me, never thinking the fellow would be such a cad as to let it out.”

You are so much taken aback at the impudence of the fellow, that you let him walk away without another word. If you have derived no other advantage from your first day at school, you have at least learned to know the character of Jerry. And you find it out better as you go on.

If you quarrel with him, and threaten him with condign punishment, he will report you to the doctor, and you’ll get an imposition. If you sit up beyond hours reading, he’ll contrive to let the monitors know, and your book will be confiscated; if you happen to be “spinning a yarn” with a chum in your study, you will generally find, if you open the door suddenly, that he is not very far from the keyhole; if you get up a party to partake of a smuggled supper in the dormitory, he will conduct a master to the scene, and get you into a row. There’s no secret so deadly he won’t get hold of; nothing you want kept quiet that he won’t spread all round the school. In fact, there’s scarcely anything he does not put his finger into, and everything he puts his finger into he spoils.

If, in a weak moment of benevolence, you take him back into your confidence and friendship, no one will be more humble and forgiving and affable; but he will just use your new favour as a weapon for paying back old grudges, and sorely will you repent your folly.

In fact, there is only one place for Jerry–that place is Coventry. That city is famous for one sneak already. Let Jerry keep him company. There he can tell tales, and peep and listen and wriggle to his heart’s content. He’ll please himself, and do no one any harm.

A sneak has not always the plea of self-interest for his meanness. Often enough his tale-bearing or his mischief-making can not only do his victims incalculable harm, but cannot do him any possible good.

What good did the snake in the fable expect who, having been rescued, and warmed and restored to life by the merciful woodcutter, turned on his deliverer and stung him? No wonder the good fellow knocked him on the head! I knew another sneak once who seemed to make a regular profession of this amiable propensity. He seemed to consider his path in life was to detect and inform on whatever, to his small mind, seemed a culpable offence. In the middle of school, all of a sudden his raspy voice would lift itself up in ejaculations like these, addressed to the master,–

“Please, sir,” (he always prefaced his remarks with “Please, sir”), “Please, sir, Tom Cobb’s eating an apple!”