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Kennedy walked quickly around the circle of box stalls until he came again to Lady Lee. He entered the stall and looked the famous racer over carefully. I was wondering what, if anything, he expected to find, when, almost before I knew it, I saw him jab a little hypodermic needle into her neck and withdraw a few drops of blood.

Lady Lee reared and snorted, but Kennedy managed to quiet her. He returned the hypodermic, with these few drops of blood, carefully into its case again, and we made our way back to the office.

A few minutes later, the drone of Broadhurst’s car told us that Murchie had returned. We resumed the talk about horses, upstairs in Murchie’s own apartment, which consisted of living-rooms, a library, and bath. It was a luxuriously appointed place, in keeping with the tastes of its occupant. We sat down in the library.

I was quite interested in looking about me. For one thing, Murchie’s idea of art seemed to be a curious blending of horse and woman. There were pictures of all the string of Broadhurst winners, interspersed with Venuses and actresses.

On a little table I noticed, at length, a colored photograph in an oval gilt frame. It was of a very beautiful girl. She was something over medium height, with a fine figure, golden hair, and deep-blue eyes. Somehow, I recalled that I had seen that face before, and when I caught Kennedy looking at it from time to time, I was certain of it.

Suddenly it flashed over me that the picture had been published in the Star. It was Cecilie Safford. I remembered having read of Murchie’s escapades, one of which was his elopement with a pretty young stenographer whom he had met at the horse show a couple of years before.

The talk ran along about horses still, but I noticed that Kennedy was even more interested in Murchie’s pictures, now, than in his conversation. In the place of honor, over the mantel, hung a portrait, in an artistic panel, of a slender girl with dark hair and hazel eyes, with a soft, swanlike throat and neck, and a somewhat imperious manner of carrying her head.

I followed Craig’s glance across the room. There, in a frame upon the wall in a corner, hung an enlargement of a group photograph. It was of a middle-aged woman, a little boy, and a little girl. Then I remembered the whole story.

At the time of his elopement, Murchie had a wife living. Since then he had been divorced. Although he had promised to marry Cecilie when the divorce was obtained, he was now engaged to marry a wealthy girl, Amelie Guernsey.

Broadhurst returned shortly for us, and we made another tour of the stable, on the outside, including the quarters of the innumerable employees. Finally, at a hint from Kennedy that we had seen enough for the present, Broadhurst motored back to the city with us.