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PAGE 5

The Silver Mirror
by [?]

Jan. 20.–My work draws to a close, and it is time. I feel a tenseness within my brain, a sense of intolerable strain, which warns me that something must give. I have worked myself to the limit. But to-night should be the last night. With a supreme effort I should finish the final ledger and complete the case before I rise from my chair. I will do it. I will.

Feb. 7.–I did. My God, what an experience! I hardly know if I am strong enough yet to set it down.

Let me explain in the first instance that I am writing this in Dr. Sinclair’s private hospital some three weeks after the last entry in my diary. On the night of January 20 my nervous system finally gave way, and I remembered nothing afterwards until I found myself three days ago in this home of rest. And I can rest with a good conscience. My work was done before I went under. My figures are in the solicitors’ hands. The hunt is over.

And now I must describe that last night. I had sworn to finish my work, and so intently did I stick to it, though my head was bursting, that I would never look up until the last column had been added. And yet it was fine self-restraint, for all the time I knew that wonderful things were happening in the mirror. Every nerve in my body told me so. If I looked up there was an end of my work. So I did not look up till all was finished. Then, when at last with throbbing temples I threw down my pen and raised my eyes, what a sight was there!

The mirror in its silver frame was like a stage, brilliantly lit, in which a drama was in progress. There was no mist now. The oppression of my nerves had wrought this amazing clarity. Every feature, every movement, was as clear-cut as in life. To think that I, a tired accountant, the most prosaic of mankind, with the account-books of a swindling bankrupt before me, should be chosen of all the human race to look upon such a scene!

It was the same scene and the same figures, but the drama had advanced a stage. The tall young man was holding the woman in his arms. She strained away from him and looked up at him with loathing in her face. They had torn the crouching man away from his hold upon the skirt of her dress. A dozen of them were round him–savage men, bearded men. They hacked at him with knives. All seemed to strike him together. Their arms rose and fell. The blood did not flow from him–it squirted. His red dress was dabbled in it. He threw himself this way and that, purple upon crimson, like an over-ripe plum. Still they hacked, and still the jets shot from him. It was horrible–horrible! They dragged him kicking to the door. The woman looked over her shoulder at him and her mouth gaped. I heard nothing, but I knew that she was screaming. And then, whether it was this nerve-racking vision before me, or whether, my task finished, all the overwork of the past weeks came in one crushing weight upon me, the room danced round me, the floor seemed to sink away beneath my feet, and I remembered no more. In the early morning my landlady found me stretched senseless before the silver mirror, but I knew nothing myself until three days ago I awoke in the deep peace of the doctor’s nursing home.

Feb. 9.–Only to-day have I told Dr. Sinclair my full experience. He had not allowed me to speak of such matters before. He listened with an absorbed interest. “You don’t identify this with any well-known scene in history?” he asked, with suspicion in his eyes. I assured him that I knew nothing of history. “Have you no idea whence that mirror came and to whom it once belonged?” he continued. “Have you?” I asked, for he spoke with meaning. “It’s incredible,” said he, “and yet how else can one explain it? The scenes which you described before suggested it, but now it has gone beyond all range of coincidence. I will bring you some notes in the evening.”

Later.–He has just left me. Let me set down his words as closely as I can recall them. He began by laying several musty volumes upon my bed.

“These you can consult at your leisure,” said he. “I have some notes here which you can confirm. There is not a doubt that what you have seen is the murder of Rizzio by the Scottish nobles in the presence of Mary, which occurred in March, 1566. Your description of the woman is accurate. The high forehead and heavy eyelids combined with great beauty could hardly apply to two women. The tall young man was her husband, Darnley. Rizzio, says the chronicle, ‘was dressed in a loose dressing-gown of furred damask, with hose of russet velvet.’ With one hand he clutched Mary’s gown, with the other he held a dagger. Your fierce, hollow-eyed man was Ruthven, who was new-risen from a bed of sickness. Every detail is exact.”

“But why to me?” I asked, in bewilderment. “Why of all the human race to me?”

“Because you were in the fit mental state to receive the impression. Because you chanced to own the mirror which gave the impression.”

“The mirror! You think, then, that it was Mary’s mirror–that it stood in the room where the deed was done?”

“I am convinced that it was Mary’s mirror. She had been Queen of France. Her personal property would be stamped with the Royal arms. What you took to be three spear-heads were really the lilies of France.”

“And the inscription?”

“‘Sanc. X. Pal.’ You can expand it into Sanctae Crucis Palatium. Some one has made a note upon the mirror as to whence it came. It was the Palace of the Holy Cross.”

“Holyrood!” I cried.

“Exactly. Your mirror came from Holyrood. You have had one very singular experience, and have escaped. I trust that you will never put yourself into the way of having such another.”