PAGE 7
The Scorn of Women
by
So it was that the good woman took the trail in hot and righteous wrath, a trail which brought her ultimately into the company of Mrs. Eppingwell and Floyd Vanderlip. Mrs. Eppingwell had just found the opportunity to talk with the man. She had determined, now that Flossie was so near at hand, to proceed directly to the point, and an incisive little ethical discourse was titillating on the end of her tongue, when the couple became three. She noted, and pleasurably, the faintly foreign accent of the “Beg pardon” with which the furred woman prefaced her immediate appropriation of Floyd Vanderlip; and she courteously bowed her permission for them to draw a little apart.
Then it was that Mrs. McFee’s righteous hand descended, and accompanying it in its descent was a black mask torn from a startled woman. A wonderful face and brilliant eyes were exposed to the quiet curiosity of those who looked that way, and they were everybody. Floyd Vanderlip was rather confused. The situation demanded instant action on the part of a man who was not beyond his depth, while HE hardly knew where he was. He stared helplessly about him. Mrs. Eppingwell was perplexed. She could not comprehend. An explanation was forthcoming, somewhere, and Mrs. McFee was equal to it.
“Mrs. Eppingwell,” and her Celtic voice rose shrilly, “it is with great pleasure I make you acquainted with Freda Moloof, MISS Freda Moloof, as I understand.”
Freda involuntarily turned. With her own face bared, she felt as in a dream, naked, upon her turned the clothed features and gleaming eyes of the masked circle. It seemed, almost, as though a hungry wolf-pack girdled her, ready to drag her down. It might chance that some felt pity for her, she thought, and at the thought, hardened. She would by far prefer their scorn. Strong of heart was she, this woman, and though she had hunted the prey into the midst of the pack, Mrs. Eppingwell or no Mrs. Eppingwell, she could not forego the kill.
But here Mrs. Eppingwell did a strange thing. So this, at last, was Freda, she mused, the dancer and the destroyer of men; the woman from whose door she had been turned. And she, too, felt the imperious creature’s nakedness as though it were her own. Perhaps it was this, her Saxon disinclination to meet a disadvantaged foe, perhaps, forsooth, that it might give her greater strength in the struggle for the man, and it might have been a little of both; but be that as it may, she did do this strange thing. When Mrs. McFee’s thin voice, vibrant with malice, had raised, and Freda turned involuntarily, Mrs. Eppingwell also turned, removed her mask, and inclined her head in acknowledgment.
It was another flashing, eternal second, during which these two women regarded each other. The one, eyes blazing, meteoric; at bay, aggressive; suffering in advance and resenting in advance the scorn and ridicule and insult she had thrown herself open to; a beautiful, burning, bubbling lava cone of flesh and spirit. And the other, calm-eyed, cool-browed, serene; strong in her own integrity, with faith in herself, thoroughly at ease; dispassionate, imperturbable; a figure chiselled from some cold marble quarry. Whatever gulf there might exist, she recognized it not. No bridging, no descending; her attitude was that of perfect equality. She stood tranquilly on the ground of their common womanhood. And this maddened Freda. Not so, had she been of lesser breed; but her soul’s plummet knew not the bottomless, and she could follow the other into the deeps of her deepest depths and read her aright. “Why do you not draw back your garment’s hem?” she was fain to cry out, all in that flashing, dazzling second. “Spit upon me, revile me, and it were greater mercy than this!” She trembled. Her nostrils distended and quivered. But she drew herself in check, returned the inclination of head, and turned to the man.