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PAGE 12

The Sandman
by [?]

When he was retiring to his lodging, he perceived that there was a great bustle in Spalanzani’s house. The doors were wide open, all sorts of utensils were being carried in, the windows of the first floor were being taken out, maid servants were going about sweeping and dusting with great hair-brooms, and carpenters and upholsterers were knocking and hammering within. Nathaniel remained standing in the street in a state of perfect wonder, when Sigismund came up to him, laughing, and said: “Now, what do you say to our old Spalanzani?” Nathaniel assured him that he could say nothing because he knew nothing about the professor, but on the contrary perceived with astonishment the mad proceedings in a house otherwise so quiet and gloomy. He then learnt from Sigismund that Spalanzani intended to give a grand festival on the following day,–a concert and ball–and that half the university was invited. It was generally reported that Spalanzani, who had so long kept his daughter most painfully from every human eye, would now let her appear for the first time.

Nathaniel found a card of invitation, and with heart beating highly went at the appointed hour to the professor’s, where the coaches were already rolling, and the lights were shining in the decorated saloons. The company was numerous and brilliant. Olympia appeared dressed with great richness and taste. Her beautifully turned face, her figure called for admiration. The somewhat strange bend of her back inwards, the wasp-like thinness of her waist, seemed to be produced by too tight lacing. In her step and deportment there was something measured and stiff, which struck many as unpleasant, but it was ascribed to the constraint produced by the company. The concert began, Olympia played the piano with great dexterity, and executed a bravura, with a voice, like the sound of a glass bell, clear, and almost cutting. Nathaniel was quite enraptured; he stood in the hindermost row, and could not perfectly recognise Olympia’s features in the dazzling light. He, therefore, quite unperceived, took out Coppola’s glass, and looked towards the fair Olympia. Ah! then he saw, with what a longing glance she looked towards him, how every tone first resolved itself plainly in the glance of love, which penetrated, in its glowing career, his inmost soul. The artistical roulades seemed to Nathaniel the exultation of a mind illuminated with love, and when, at last, after the cadence, the long trill sounded shrilly through the saloon, he felt as if grasped by glowing arms; he could no longer restrain himself, but with mingled pain and rapture shouted out, “Olympia!” All looked at him, and many laughed. The organist of the cathedral made a more gloomy face than usual, and simply said: “Well, well.” The concert had finished, the ball began. “To dance with her–with her!” That was the aim of all Nathaniel’s wishes, of all his efforts; but how to gain courage to ask her, the queen of the festival? Nevertheless–he himself did not know how it happened–no sooner had the dancing begun, than he was standing close to Olympia, who had not yet been asked to dance, and, scarcely able to stammer out a few words, had seized her hand. The hand of Olympia was as cold as ice; he felt a horrible deadly frost thrilling through him. He looked into her eye–that was beaming full of love and desire, and at the same time it seemed as though the pulse began to beat, and the stream of life to glow in the cold hand. And in the soul of Nathaniel the joy of love rose still higher; he clasped the beautiful Olympia, and with her flew through the dance. He thought that his dancing was usually correct as to time, but the peculiar rhythmical steadiness with which Olympia moved, and which often put him completely out, soon showed him, that his time was very defective. However, he would dance with no other lady, and would have liked to murder any one who approached Olympia for the purpose of asking her. But this only happened twice, and to his astonishment Olympia remained seated after every dance, when he lost no time in making her rise again. Had he been able to see any other object besides the fair Olympia, all sorts of unfortunate quarrels would have been inevitable, for the half-soft, scarcely-suppressed laughter, which arose among the young people in every corner, was manifestly directed to Olympia, whom they pursued with very curious glances–one could not tell why. Heated by the dance, and by the wine, of which he had freely partaken, Nathaniel had laid aside all his ordinary reserve. He sat by Olympia, with her hand in his, and, highly inflamed and inspired, told his passion, in words which no one understood–neither himself nor Olympia. Yet, perhaps, she did; for she looked immoveably in his face, and sighed several times, “Ah, ah!” Upon this, Nathaniel said, “Oh, thou splendid, heavenly lady! Thou ray from the promised land of love–thou deep soul, in winch all my being is reflected!” with much more stuff of the like kind; but Olympia merely went on sighing, “Ah–ah!” Professor Spalanzani occasionally passed the happy pair, and smiled on them, with a look of singular satisfaction. To Nathaniel, although he felt in quite another region, it seemed all at once as though Professor Spalanzani was growing considerably darker; he looked around, and, to his no small horror, perceived that the two last candles in the empty saloon had burned down to their sockets, and were just going out. Music and dancing had ceased long ago. “Separation–separation!” he cried, wildly, and in despair; he kissed Olympia’s hand, he bent towards her mouth, when his glowing lips were met by lips cold as ice! Just as when he touched Olympia’s cold hand, he felt himself overcome by horror; the legend of the dead bride darted suddenly through his mind, but Olympia pressed him fast, and her lips seemed to recover to life at his kiss. Professor Spalanzani strode through the empty hall, his steps caused a hollow echo, and his figure, round which a flickering shadow played, had a fearful, spectral appearance. “Dost thou love me, dost thou love me, Olympia? Only this word!–Dost thou love me?” So whispered Nathaniel; but Olympia, as she rose, only sighed, “Ah–ah!” “Yes, my gracious, my beautiful star of love,” said Nathaniel, “thou hast risen upon me, and thou wilt shine, ever illuminating my inmost soul.” “Ah–ah!” replied Olympia, going. Nathaniel followed her; they both stood before the professor.