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The Rondoli Sisters
by
But I was urgent: “Look here, don’t be angry. It is surely far better to go to a good hotel than to a bad one, and it is not difficult to ask the landlord for three separate bedrooms and a dining-room.”
I put a stress on three, and that decided him.
He went on first, and I saw him go into a large hotel while I remained on the other side of the street, with my fair Italian, who did not say a word, and followed the porters with the luggage.
Paul came back at last, looking as dissatisfied as my companion.
“That is settled,” he said, “and they will take us in; but here are only two bedrooms. You must settle it as you can.”
I followed him, rather ashamed of going in with such a strange companion.
There were two bedrooms separated by a small sitting-room. I ordered a cold supper, and then I turned to the Italian with a perplexed look.
“We have only been able to get two rooms, so you must choose which you like.”
She replied with her eternal “Che mi fa!” I thereupon took up her little black wooden trunk, such as servants use, and took it into the room on the right, which I had chosen for her. A bit of paper was fastened to the box, on which was written, Mademoiselle Francesca Rondoli, Genoa.
“Your name is Francesca?” I asked, and she nodded her head, without replying.
“We shall have supper directly,” I continued. “Meanwhile, I dare say you would like to arrange your toilette a little?”
She answered with a ‘mica’, a word which she employed just as frequently as ‘Che me fa’, but I went on: “It is always pleasant after a journey.”
Then I suddenly remembered that she had not, perhaps, the necessary requisites, for she appeared to me in a very singular position, as if she had just escaped from some disagreeable adventure, and I brought her my dressing-case.
I put out all the little instruments for cleanliness and comfort which it contained: a nail-brush, a new toothbrush–I always carry a selection of them about with me–my nail-scissors, a nail-file, and sponges. I uncorked a bottle of eau de cologne, one of lavender-water, and a little bottle of new-mown hay, so that she might have a choice. Then I opened my powder-box, and put out the powder-puff, placed my fine towels over the water-jug, and a piece of new soap near the basin.
She watched my movements with a look of annoyance in her wide-open eyes, without appearing either astonished or pleased at my forethought.
“Here is all that you require,” I then said; “I will tell you when supper is ready.”
When I returned to the sitting-room I found that Paul had shut himself in the other room, so I sat down to wait.
A waiter went to and fro, bringing plates and glasses. He laid the table slowly, then put a cold chicken on it, and told me that all was ready.
I knocked gently at Mademoiselle Rondoli’s door. “Come in,” she said, and when I did so I was struck by a strong, heavy smell of perfumes, as if I were in a hairdresser’s shop.
The Italian was sitting on her trunk in an attitude either of thoughtful discontent or absent-mindedness. The towel was still folded over the waterjug that was full of water, and the soap, untouched and dry, was lying beside the empty basin; but one would have thought that the young woman had used half the contents of the bottles of perfume. The eau de cologne, however, had been spared, as only about a third of it had gone; but to make up for that she had used a surprising amount of lavender- water and new-mown hay. A cloud of violet powder, a vague white mist, seemed still to be floating in the air, from the effects of her over- powdering her face and neck. It seemed to cover her eyelashes, eyebrows, and the hair on her temples like snow, while her cheeks were plastered with it, and layers of it covered her nostrils, the corners of her eyes, and her chin.