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PAGE 11

The Return
by [?]

He felt full of rancorous indignation against the woman who could look like this at one. This look probed him; it tampered with him. It was dangerous to one as would be a hint of unbelief whispered by a priest in the august decorum of a temple; and at the same time it was impure, it was disturbing, like a cynical consolation muttered in the dark, tainting the sorrow, corroding the thought, poisoning the heart. He wanted to ask her furiously: “Who do you take me for? How dare you look at me like this?” He felt himself helpless before the hidden meaning of that look; he resented it with pained and futile violence as an injury so secret that it could never, never be redressed. His wish was to crush her by a single sentence. He was stainless. Opinion was on his side; morality, men and gods were on his side; law, conscience–all the world! She had nothing but that look. And he could only say:

“How long do you intend to stay here?”

Her eyes did not waver, her lips remained closed; and for any effect of his words he might have spoken to a dead woman, only that this one breathed quickly. He was profoundly disappointed by what he had said. It was a great deception, something in the nature of treason. He had deceived himself. It should have been altogether different–other words–another sensation. And before his eyes, so fixed that at times they saw nothing, she sat apparently as unconscious as though she had been alone, sending that look of brazen confession straight at him–with an air of staring into empty space. He said significantly:

“Must I go then?” And he knew he meant nothing of what he implied.

One of her hands on her lap moved slightly as though his words had fallen there and she had thrown them off on the floor. But her silence encouraged him. Possibly it meant remorse–perhaps fear. Was she thunderstruck by his attitude? . . . Her eyelids dropped. He seemed to understand ever so much–everything! Very well–but she must be made to suffer. It was due to him. He understood everything, yet he judged it indispensable to say with an obvious affectation of civility:

“I don’t understand–be so good as to . . .”

She stood up. For a second he believed she intended to go away, and it was as though someone had jerked a string attached to his heart. It hurt. He remained open-mouthed and silent. But she made an irresolute step towards him, and instinctively he moved aside. They stood before one another, and the fragments of the torn letter lay between them–at their feet–like an insurmountable obstacle, like a sign of eternal separation! Around them three other couples stood still and face to face, as if waiting for a signal to begin some action–a struggle, a dispute, or a dance.

She said: “Don’t–Alvan!” and there was something that resembled a warning in the pain of her tone. He narrowed his eyes as if trying to pierce her with his gaze. Her voice touched him. He had aspirations after magnanimity, generosity, superiority–interrupted, however, by flashes of indignation and anxiety–frightful anxiety to know how far she had gone. She looked down at the torn paper. Then she looked up, and their eyes met again, remained fastened together, like an unbreakable bond, like a clasp of eternal complicity; and the decorous silence, the pervading quietude of the house which enveloped this meeting of their glances became for a moment inexpressibly vile, for he was afraid she would say too much and make magnanimity impossible, while behind the profound mournfulness of her face there was a regret–a regret of things done–the regret of delay–the thought that if she had only turned back a week sooner–a day sooner–only an hour sooner. . . . They were afraid to hear again the sound of their voices; they did not know what they might say–perhaps something that could not be recalled; and words are more terrible than facts. But the tricky fatality that lurks in obscure impulses spoke through Alvan Hervey’s lips suddenly; and he heard his own voice with the excited and sceptical curiosity with which one listens to actors’ voices speaking on the stage in the strain of a poignant situation.