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On his arrival he found his chief raging about the house like a wild beast. Sang trembled from a quick and stormy interrogatory in the kitchen. Chairs had been upset and let lie. Estrella’s belongings had been tumbled over. Senor Johnson there found only too sure proof, in the various lacks, of a premeditated and permanent flight. Still he hoped; and as long as he hoped, he doubted, and the demons of doubt tore him to a frenzy. Jed stood near the door, his arms folded, his weight shifted to his sound foot, waiting and wondering what the next move was to be.

Finally, Senor Johnson, struck with a new idea, ran to his desk to rummage in a pigeon-hole. But he found no need to do so, for lying on the desk was what he sought–the check book from which Estrella was to draw on Goodrich for the money she might need. He fairly snatched it open. Two of the checks had been torn out, stub and all. And then his eye caught a crumpled bit of blue paper under the edge of the desk.

He smoothed it out. The check was made out to bearer and signed Estrella Johnson. It called for fifteen thousand dollars. Across the middle was a great ink blot, reason for its rejection.

At once Senor Johnson became singularly and dangerously cool.

“I reckon you’re right, Jed,” he cried in his natural voice. “She’s gone with him. She’s got all her traps with her, and she’s drawn on Goodrich for fifteen thousand. And SHE never thought of going just this time of month when the miners are in with their dust, and Goodrich would be sure to have that much. That’s friend Palmer. Been going on a month, you say?”

“I couldn’t say anything, Buck,” said Parker anxiously. “A man’s never sure enough about them things till afterwards.”

“I know,” agreed Buck Johnson; “give me a light for my cigarette.”

He puffed for a moment, then rose, stretching his legs. In a moment he returned from the other room, the old shiny Colt’s forty-five strapped loosely on his hip. Jed looked him in the face with some anxiety. The foreman was not deceived by the man’s easy manner; in fact, he knew it to be symptomatic of one of the dangerous phases of Senor Johnson’s character.

“What’s up, Buck?” he inquired.

“Just going out for a pasear with the little horse, Jed.”

“I suppose I better come along?”

“Not with your lame foot, Jed.”

The tone of voice was conclusive. Jed cleared his throat.

“She left this for you,” said he, proffering an envelope. “Them kind always writes.”

“Sure,” agreed Senor Johnson, stuffing the letter carelessly into his side pocket. He half drew the Colt’s from its holster and slipped it back again. “Makes you feel plumb like a man to have one of these things rubbin’ against you again,” he observed irrelevantly. Then he went out, leaving the foreman leaning, chair tilted, against the wall.

CHAPTER ELEVEN

THE CAPTURE

Although he had left the room so suddenly, Senor Johnson did not at once open the gate of the adobe wall. His demeanour was gay, for he was a Westerner, but his heart was black. Hardly did he see beyond the convexity of his eyeballs.

The pony, warmed up by its little run, pawed the ground, impatient to be off. It was a fine animal, clean-built, deep-chested, one of the mustang stock descended from the Arabs brought over by Pizarro. Sang watched fearfully from the slant of the kitchen window. Jed Parker, even, listened for the beat of the horse’s hoofs.

But Senor Johnson stood stock-still, his brain absolutely numb and empty. His hand brushed against something which fell, to the ground. He brought his dull gaze to bear on it. The object proved to be a black, wrinkled spheroid, baked hard as iron in the sunshine of Estrella’s toys, a potato squeezed to dryness by the constricting power of the rawhide. In a row along the fence were others. To Senor Johnson it seemed that thus his heart was being squeezed in the fire of suffering.