**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 14

The Rawhide
by [?]

Senor Johnson rode ahead, looking at these things. The separation from his wife, brief as it would be, left room in his soul for the heart-hunger which beauty arouses in men. He loved the charm of the desert, yet it hurt him.

Behind him the punchers relieved the tedium of the march, each after his own manner. In an hour the bunch of loose horses lost its early-morning good spirits and settled down to a steady plodding, that needed no supervision. Tom Rich led them, now, in silence, his time fully occupied in rolling Mexican cigarettes with one hand. The other three dropped back together and exchanged desultory remarks. Occasionally Jim Lester sang. It was always the same song of uncounted verses, but Jim had a strange fashion of singing a single verse at a time. After a long interval he would sing another.

“My Love is a rider
And broncos he breaks,
But he’s given up riding
And all for my sake,
For he found him a horse
And it suited him so
That he vowed he’d ne’er ride
Any other bronco!”

he warbled, and then in the same breath:

“Say, boys, did you get onto the pisano-looking shorthorn at Willets last week?

“Nope.”

“He sifted in wearin’ one of these hardboiled hats, and carryin’ a brogue thick enough to skate on. Says he wants a job drivin’ team–that he drives a truck plenty back to St. Louis, where he comes from. Goodrich sets him behind them little pinto cavallos he has. Say! that son of a gun a driver! He couldn’t drive nails in a snow bank.” An expressive free-hand gesture told all there was to tell of the runaway. “Th’ shorthorn landed headfirst in Goldfish Charlie’s horse trough. Charlie fishes him out. ‘How the devil, stranger,’ says Charlie, ‘did you come to fall in here?’ ‘You blamed fool,’ says the shorthorn, just cryin’ mad, ‘I didn’t come to fall in here, I come to drive horses.'”

And then, without a transitory pause:

“Oh, my love has a gun
And that gun he can use,
But he’s quit his gun fighting
As well as his booze.
And he’s sold him his saddle,
His spurs, and his rope,
And there’s no more cow-punching
And that’s what I hope.”

The alkali dust, swirled back by a little breeze, billowed up and choked him. Behind, the mules coughed, their coats whitening with the powder. Far ahead in the distance lay the westerly mountains. They looked an hour away, and yet every man and beast in the outfit knew that hour after hour they were doomed, by the enchantment of the land, to plod ahead without apparently getting an inch nearer. The only salvation was to forget the mountains and to fill the present moment full of little things.

But Senor Johnson, to-day, found himself unable to do this. In spite of his best efforts he caught himself straining toward the distant goal, becoming impatient, trying to measure progress by landmarks–in short acting like a tenderfoot on the desert, who wears himself down and dies, not from the hardship, but from the nervous strain which he does not know how to avoid. Senor Johnson knew this as well as you and I. He cursed himself vigorously, and began with great resolution to think of something else.

He was aroused from this by Tom Rich, riding alongside. “Somebody coming, Senor,” said he.

Senor Johnson raised his eyes to the approaching cloud of dust. Silently the two watched it until it resolved into a rider loping easily along. In fifteen minutes he drew rein, his pony dropped immediately from a gallop to immobility, he swung into a graceful at-ease attitude across his saddle, grinned amiably, and began to roll a cigarette.