**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 8

The Pursuit Of The Piano
by [?]

He amused himself thinking what he should do if he found Phyllis Desmond’s piano there, but he was wholly unprepared to do anything when he actually found it standing on the platform, as if it had just been put out of the freight-car which was still on the siding at the door. He passed instantly from the mood of gay conjecture in which he was playing with the improbable notion of its presence to a violent indignation.

“Why, look here!” he almost shouted to a man in a silk cap and greased overalls who was contemplating the inscription on the slope of its cover, “what’s that piano doing here?

The man seemed to accept him as one having authority to make this demand, and responded mildly, “Well, that’s just what I was thinking myself.”

“That piano,” Gaites went on with unabated violence, “started from Boston at the beginning of the week; and I happen to know that it’s been lying two or three days at Burymouth, instead of going on to Lower Merritt, as it ought to have done at once. It ought to have been in Lower Merritt Wednesday afternoon at the latest, and here it is at Kent Harbor Saturday morning!”

The man in the silk cap scanned Gaites’s figure warily, as if it might be that of some official whale in disguise, and answered in a tone of dreamy suggestion: “Must have got shifted into the wrong car at Mewers Junction, somehow. Or maybe they started it wrong from Burymouth.”

Mrs. Maze was coming rapidly down the platform toward them, leaving the express agent to crawl flaccidly into his den at the end of the passenger-station, with the air of having had all his joints started.

“Just look at this, Mrs. Maze,” said Gaites when she drew near enough to read the address on the piano-case. She did look at it; then she looked at Gaites’s face, into which he had thrown a sort of stony calm; and then she looked back at the piano-case.

“No!” she exclaimed and questioned in one.

Gaites nodded confirmation.

“Then it won’t be there in time for the poor thing’s birthday?”

He nodded again.

Mrs. Maze was a woman who never measured her terms, perhaps because there was nothing large enough to measure them with, and perhaps because in their utmost expansion they were a tight fit for her emotions.

“Well, it’s an abominable outrage!” she began. She added: “It’s a burning shame! They’ll never get over it in the world; and when it comes lagging along after everything’s over, she won’t care a pin for it! How did it happen?”

Gaites mutely referred her, with a shrug, to the man in the silk cap, and he again hazarded his dreamy conjecture.

“Well, it doesn’t matter!” she said, with a bitterness that was a great comfort to Gaites. “What are you going to do about it?” she asked him.

“I don’t know what can be done about it,” he answered, referring himself to the man in the silk cap.

The man said, “No freight out, now, till Monday.”

Mrs. Maze burst forth again: “If I had the least confidence in the world in any human express company, I would send it by express and pay the expressage myself.”

“Oh, I couldn’t let you do that, Mrs. Maze,” Gaites protested. “Besides, I don’t suppose they’d allow us to take it out of the freight, here, unless we had the bill of lading.”

“Well,” cried Mrs. Maze, passionately, “I can’t bear to think of that child’s suspense. It’s perfectly heart-sickening. Why shouldn’t they telegraph? They ought to telegraph! If they let things go wandering round the earth at this rate, the least they can do is to telegraph and relieve people’s minds. We’ll go and make the station-master telegraph!”

But even when the station-master was found, and made to understand the case, and to feel its hardship, he had his scruples. “I don’t think I’ve got any right to do that,” he said.