PAGE 19
The Pursuit Of The Piano
by
After he had quite converted Gaites to his theory of silence concerning his outlived romance, he liked to indulge himself, when he got Gaites alone with the young ladies, in speculations as to the wanderings of Miss Desmond’s piano. He could always get a rise out of Miss Desmond by referring to the impertinent person who had telegraphed her about it from Kent Harbor, and he could put Gaites into a quiver of anxiety by asking him whether he had heard Mrs. Maze speak of the piano when he was at Kent Harbor, or whether he had happened to see anything of it at any of the junctions on his way to Lower Merritt. To these questions Gaites felt himself obliged to respond with lies point-blank, though there were times when he was tempted to come out with the truth, Miss Axewright seemed so amiably indifferent, or so sympathetically interested, when Ellett was airing his conjectures or pushing his investigations.
Still Gaites clung to the refuge of his lies, and upon the whole it served him well, or at least enabled him to temporize in safety, while he was making the progress in Miss Axewright’s affections which, if he had not been her lover, he never would have imagined difficult. They went every day, between the afternoon and evening concerts, to walk in the Cloister, a colonnade of pines not far from the Inn, which differed from some other cloisters in being so much devoted to love-making. She was in love with him, as he was with her; but in her proud maiden soul she did not dream of bringing him to the confession she longed for. This came the afternoon of the last day they walked in the Cloister, when it seemed as if they might go on walking there forever, and never emerge from their fond, delicious, tremulous, trusting doubt of each other.
She cried upon his shoulder, with her arms round his neck, and owned that she had loved him from the first moment she had seen him in front of the S. B. & H. C. freight-depot in Boston; and Gaites tried to make his passion antedate this moment. To do so, he had to fall back upon the notion of pre-existence, but she gladly admitted his hypothesis.
The next morning brought another mood, a mood of sweet defiance, in which she was still more enrapturing. By this time the engagement was known to their two friends, and Miss Desmond came to the cars with Charley Ellett to see her off. As Gaites was going to Boston on the same train, they made it the occasion of seeing him off, too. Millicent openly declared that they two were going together, that in fact she was taking him home to show him to her family in South Newton and see whether they liked him.
Ellett put this aspect of the affair aside. “Well, then,” he said, “if you’re going to be in Boston together, I think you ought to see the S. B. & H. C. traffic-manager, and find out all about what kept Phyl’s piano so long on the road. I think they owe her an explanation, and Gaites is a lawyer, and he’s just the man to get it, with damages.”
Gaites saw in Ellett’s impudent, amusing face that he divined Millicent’s continued ignorance of his romance, and was bent on mischief. But the girl paid no heed to his talk, and Gaites could not help laughing. He liked the fellow; he even liked Miss Desmond, who was so much softened by the occasion that she had all the thorny allure of a ripened barberry in his fancy. They both hung about the seat, where he stood ready to take his place beside Millicent, till the conductor shouted, “All aboard!” Then they ran out, and waved to the lovers through the window till the car started.
When they could be seen no longer, Millicent let Gaites arrange their hand-baggage together on the seat in front of them. It was a warm day, and she said she did believe she would take her hat off; and she gave it to him, odorous of her pretty hair, to put in the rack overhead. After he had done this, and sat down definitively, she shrank unconsciously closer to him, knitting her fingers in those of his hand on the seat between them.
“Now,” she said, “tell me all about yourself.”
“About myself?”
“Yes. About Phyllis Desmond’s piano, and why you were so interested in it.”