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“Yes, I did,” said Gaites. “I was very much interested. I thought they played charmingly, and I was sorry that I got in only for the close of the last piece.”

“Well,” the head waiter consoled him, “you’ll have a chance to hear them again to-night; they’re going to play for the hop. I don’t know,” he added again, “whether you noticed the lady at the piano.”

“I noticed that she had a pretty head, which she carried gracefully, but it was against the window, and I couldn’t make out the face.”

“That,” said the head waiter, with pride either in the fact or for the effect it must produce, “was Miss Phyllis Desmond.”

Gaites started as satisfactorily as could be wished. “Indeed?”

“Yes; she’s engaged to play here the whole summer.” The head waiter fumbled with the knife and fork at the place opposite, and blushed. “But you’ll hear her to-night yourself,” he ended incoherently, and hurried away, to show another guest to his, or rather her, place.

Gaites wondered why he felt suddenly angry; why he resented the head waiter’s blush as an impertinence and a liberty. After all, the fellow was a student and probably a gentleman; and if he chose to help himself through college by taking that menial role during the summer, rather than come upon the charity of his friends or the hard-earned savings of a poor old father, what had any one to say against it? Gaites had nothing to say against it; and yet that blush, that embarrassment of a man who had pulled out his chair for him, in relation to such a girl as Miss Phyllis Desmond, incensed him so much that he could not enjoy his supper. He did not bow to the head waiter when he held the netting-door open for him to go out, and he felt the necessity of taking the evening air in another stroll to cool himself off.

Of course, if the poor girl was reduced to playing in the hotel orchestra for the money it would give her, she had come down to the level of the head waiter, and they must meet as equals. But the thought was no less intolerable for that, and Gaites set out with the notion of walking away from it. At the station, however, which was in friendly proximity to the Inn, his steps were stayed by the sound of girlish voices, rising like sweetly varied pipes from beyond the freight-depot. Their youth invited his own to look them up, and he followed round to the back of the depot, where he came upon a sight which had, perhaps from the waning light, a heightened charm. Against the curtain of low pines which had been gradually creeping back upon the depot ever since the woods were cut away to make room for it, four girls were posed in attitudes instinctively dramatic and vividly eager, while as many men were employed in getting what Gaites at once saw to be Miss Phyllis Desmond’s piano into the wagon backed up to the platform of the depot. Their work was nearly accomplished, but at every moment of what still remained to be done the girls emitted little shrieks, laughs, and moans of intense interest, and fluttered in their light summer dresses against the background of the dark evergreens like anxious birds.

At last the piano was got into the middle of the wagon, the inclined planks withdrawn and loaded into it, and the tail-board snapped to. Three of the men stepped aside, and one of them jumped into the front of the wagon and gathered up the reins from the horses’ backs. He called with mocking challenge to the group of girls, “Nobody goin’ to git up here and keep this piano from tippin’ out?”

A wild clamor rose from the girls, settling at last into staccato cries.

“You’ve got to do it, Phyl!”

“Yes, Phyllis, you must get in!”

“It’s your piano, Phyl. You’ve got to keep it from tipping out!”