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PAGE 8

The Pretext
by [?]

“Don’t you see,” she hurried on, “don’t you feel how much safer it is–yes, I’m willing to put it so!–how much safer to leave everything undisturbed . . . just as . . . as it has grown of itself . . . without trying to say: ‘It’s this or that’ . . . ? It’s what we each choose to call it to ourselves, after all, isn’t it? Don’t let us try to find a name that . . . that we should both agree upon . . . we probably shouldn’t succeed.” She laughed abruptly. “And ghosts vanish when one names them!” she ended with a break in her voice.

When she ceased her heart was beating so violently that there was a rush in her ears like the noise of the river after rain, and she did not immediately make out what he was answering. But as she recovered her lucidity she said to herself that, whatever he was saying, she must not hear it; and she began to speak again, half playfully, half appealingly, with an eloquence of entreaty, an ingenuity in argument, of which she had never dreamed herself capable. And then, suddenly, strangling hands seemed to reach up from her heart to her throat, and she had to stop.

Her companion remained motionless. He had not tried to regain her hand, and his eyes were away from her, on the river. But his nearness had become something formidable and exquisite–something she had never before imagined. A flush of guilt swept over her–vague reminiscences of French novels and of opera plots. This was what such women felt, then . . . this was “shame.” . . . Phrases of the newspaper and the pulpit danced before her. . . . She dared not speak, and his silence began to frighten her. Had ever a heart beat so wildly before in Wentworth?

He turned at last, and taking her two hands, quite simply, kissed them one after the other.

“I shall never forget–” he said in a confused voice, unlike his own.

A return of strength enabled her to rise, and even to let her eyes meet his for a moment.

“Thank you,” she said, simply also.

She turned away from the bench, regaining the path that led back to the college buildings, and he walked beside her in silence. When they reached the elm walk it was dotted with dispersing groups. The “speaking” was over, and Hamblin Hall had poured its audience out into the moonlight. Margaret felt a rush of relief, followed by a receding wave of regret. She had the distinct sensation that her hour–her one hour–was over.

One of the groups just ahead broke up as they approached, and projected Ransom’s solid bulk against the moonlight.

“My husband,” she said, hastening forward; and she never afterward forgot the look of his back–heavy, round-shouldered, yet a little pompous–in a badly fitting overcoat that stood out at the neck and hid his collar. She had never before noticed how he dressed.

IV

THEY met again, inevitably, before Dawnish left; but the thing she feared did not happen–he did not try to see her alone.

It even became clear to her, in looking back, that he had deliberately avoided doing so; and this seemed merely an added proof of his “understanding,” of that deep undefinable communion that set them alone in an empty world, as if on a peak above the clouds.

The five days passed in a flash; and when the last one came, it brought to Margaret Ransom an hour of weakness, of profound disorganization, when old barriers fell, old convictions faded–when to be alone with him for a moment became, after all, the one craving of her heart. She knew he was coming that afternoon to say “good-by”–and she knew also that Ransom was to be away at South Wentworth. She waited alone in her pale little drawing- room, with its scant kakemonos, its one or two chilly reproductions from the antique, its slippery Chippendale chairs. At length the bell rang, and her world became a rosy blur–through which she presently discerned the austere form of Mrs. Sperry, wife of the Professor of palaeontology, who had come to talk over with her the next winter’s programme for the Higher Thought Club. They debated the question for an hour, and when Mrs. Sperry departed Margaret had a confused impression that the course was to deal with the influence of the First Crusade on the development of European architecture–but the sentient part of her knew only that Dawnish had not come.