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PAGE 4

The Poetry Club
by [?]

I know not why–why seek to know? Is not
All life a problem? and the tiniest pulse
Beats with a throb which the remotest star
Feels in its orbit? Why ask me? Rather say
Whence these vague yearnings, whither swells this heart,
Like some wild floweret leaping at the dawn?
‘Tis not for me, ’tis not for thee to tell,
But Time shall be our teacher, and his voice
Shall fall unheard, unheeded in the midst!
Still art thou doubtful? Then arise and sing
Into the Empyrean vault, while I
Drift in the vagueness of the Ambrosian night.

We none of us dared inquire of Number 5 what was the particular bearing of these masterly lines upon the history of Jack and Jill. I can picture the smile of pitying contempt with which such a preposterous question would have been met. And I observe by the figures noted at the back of this poem that it received very few marks short of the highest award.

Number 6 posed as democratic poet, who appealed to the ear of the populace in terms to which they are best accustomed.

‘Twas a lovely day in August, at the top of Ludgate Hill
I met a gay young couple, and I think I see them still;
They were drinking at the fountain to cool their parching lips,
And they said to one another, looking up between their sips–

Chorus–I’d sooner have it hot, love; I’d rather have it hot;
It’s nicer with the chill off–much nicer, is it not?

They took a four-wheel growler for a drive all round the town,
And told the knowing cabby not to let his gee-gee down;
But they’d scarcely got to Fleet Street when their off-hind-wheel went bang,
And they pitched on to the kerb-stone, while the crowd around them sang–

Chorus–I’m glad you’ve got it hot, love; I’m pleased you’ve got it hot;
It’s nicer with the chill off–much nicer, is it not?

Moral.

Now all you gay young couples, list to my fond appeal,
Beware of four-wheel growlers with spokes in their off-hind-wheel;
And when you go up Ludgate Hill, all on a summer day,
Don’t drink much at the fountain; or if you do, I say–
Be sure and take it hot, love; be sure and take it hot;
It’s nicer with the chill off–much nicer, is it not?

This poem was not highly marked, although Number 6 confessed he had sat up all night writing it. He thought we had missed the underlying philosophy of his version, and was sorry for it. As he said, the first essential of a poem is that it should be read, and he believed no one could deny that he had at least written up to that requirement.

There was a more serious moral hidden in Number 7’s version, which was stated to be on the models of the early sonnets:–

Two lovers on one common errand bound,
One common fate o’erwhelms; and so, me-seems,
A fable have we of our daily round,
Who in these groves of learning here are found
Climbing Parnassus’ slopes. Our aim is one,
And one the path by which we strive to soar;
Yet, truer still, or ere the prize be won,
A common ruin hurls us to our doom.
‘Twere best we parted, you and I; so, Fate,
Baulked of her double prey, may seek in vain,
And miss us both upon the shadowy plain.

The writer of Number 8 I always suspected of being a borrower of other people’s ideas. In fact it seemed as if he must have had “A Thousand and One Gems” open before him while he was at work, and to have drawn liberally from its pages.

The way was long, the night was cold,
And Jack and Jill were young and bold.
“Try not the hill,” the old man said,
“Dark lowers the tempest overhead.”
A voice replied far up the height,
“We’ve many a step to walk this night.”
Ah, luckless speech! ah, bootless boast!
Two minutes more and they were lost.
Who would not weep for Jack and Jill?
They died, though much against their will.
And the birds of the air all fell sobbing and sighing
As they heard of these two unfortunates dying.

The concluding line (which was the only original one in the poem) was specially weak, and Number 8, I observe, only received one vote, and that was probably given by himself.

But, for originality and humour, Number 9’s version was the most distinguished of the lot. With it I conclude, and if I may express an unbiassed opinion, many years after the memorable contest, I consider it far and away the best version of the story of Jack and Jill I have ever met with.

Jack and Jill
Went up a hill
To fetch a pail of water,
Jack fell down
And broke his crown,
And Jill came tumbling after.