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PAGE 3

The Poet And The Peasant
by [?]

Haylocks seated himself upon a flight of stone steps and once more exhumed his roll of yellow-backs from the valise. The outer one, a twenty, he shucked off and beckoned to a newsboy.

“Son,” said he, “run somewhere and get this changed for me. I’m mighty nigh out of chicken feed. I guess you’ll get a nickel if you’ll hurry up.”

A hurt look appeared through the dirt on the newsy’s face.

“Aw, watchert’ink! G’wan and get yer funny bill changed yerself. Dey ain’t no farm clothes yer got on. G’wan wit yer stage money.”

On a corner lounged a keen-eyed steerer for a gambling-house. He was Haylocks, and his expression suddenly grew cold and virtuous.

“Mister,” said the rural one. “I’ve heard of places in this here town where a fellow could have a good game of old sledge or peg a card at keno. I got $950 in this valise, and I come down from old Ulster to see the sights. Know where a fellow could get action on about $9 or $10? I’m goin’ to have some sport, and then maybe I’ll buy out a business of some kind.”

The steerer looked pained, and investigated a white speck on his left forefinger nail.

“Cheese it, old man,” he murmured, reproachfully. “The Central Office must be bughouse to send you out looking like such a gillie. You couldn’t get within two blocks of a sidewalk crap game in them Tony Pastor props. The recent Mr. Scotty from Death Valley has got you beat a crosstown block in the way of Elizabethan scenery and mechanical accessories. Let it be skiddoo for yours. Nay, I know of no gilded halls where one may bet a patrol wagon on the ace.”

Rebuffed once again by the great city that is so swift to detect artificialities, Haylocks sat upon the curb and presented his thoughts to hold a conference.

“It’s my clothes,” said he; “durned if it ain’t. They think I’m a hayseed and won’t have nothin’ to do with me. Nobody never made fun of this hat in Ulster County. I guess if you want folks to notice you in New York you must dress up like they do.”

So Haylocks went shopping in the bazaars where men spake through their noses and rubbed their hands and ran the tape line ecstatically over the buldge in his inside pocket where reposed a red nubbin of corn with an even number of rows. And messengers bearing parcels and boxes streamed to his hotel on Broadway within the lights of Long Acre.

At 9 o’clock in the evening one descended to the sidewalk whom Ulster County would have foresworn. Bright tan were his shoes; his hat the latest block. His light gray trousers were deeply creased; a gay blue silk handkerchief flapped from the breast pocket of his elegant English walking coat. His collar might have graced a laundry window; his blond hair was trimmed close; the wisp of hay was gone.

For an instant he stood, resplendent, with the leisurely air of a boulevardier concocting in his mind the route for his evening pleasures. And then he turned down the gay, bright street with the easy and graceful tread of a millionaire.

But in the instant that he had paused the wisest and keenest eyes in the city had enveloped him in their field of vision. A stout man with gray eyes picked two of his friends with a lift of his eyebrows from the row of loungers in front of the hotel.

“The juiciest jay I’ve seen in six months,” said the man with gray eyes. “Come along.”

It was half-past eleven when a man galloped into the West Forty- seventh Street Police Station with the story of his wrongs.

“Nine hundred and fifty dollars,” he gasped, “all my share of grandmother’s farm.”

The desk seargeant wrung from him the name Jabez Bulltongue, of Locust Valley farm, Ulster County, and then bagan to take descriptions of the strong-arm gentlemen.

When Conant went to see the editor about the fate of his poem, he was received over the head of the office boy into the inner office that is decorated with the statuettes by Rodin and J. G. Brown.

“When I read the first line of ‘The Doe and the Brook,'” said the editor, “I knew it to be the work of one whose life has been heart to heart with Nature. The finished art of the line did not blind me to that fact. To use a somewhat homely comparison, it was as if a wild, free child of the woods and fields were to don the garb of fashion and walk down Broadway. Beneath the apparel the man would show.”

“Thanks,” said Conant. “I suppose the check will be round on Thursday, as usual.”

The morals of this story have somehow gotten mixed. You can take your choice of “Stay on the Farm” or “Don’t Write Poetry.”