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The Platonic Bassoon
by
At first Aurora was mortified; then her mortification deepened into chagrin. In the hope of touching his heart she bestowed upon him a look of such tender supplication that, had he not been the most callous creature in the world, he must have melted under it. To his eternal shame, let it be said, the bassoon remained as impervious to her beseeching glances as if he had been a sphinx or a rhinoceros. In fact, Aurora’s supplicating eyes seemed to instigate him to further and greater madness, for after that he became still more riotous, and at many times during the evening the crisis in the orchestra threatened anarchy and general disintegration.
Aurora’s humiliation can be imagined by those only who have experienced a like bitterness–the bitterness of awakening to a realization of the cruelty of love. Aurora loved the bassoon tenderly, deeply, absorbingly. The sprightliness of his lighter moods, no less than the throbbing pathos of his sadder moments, had won her heart. She had given him her love unreservedly, she fairly worshipped him, and now she awakened, as it were, from a golden dream, to find her idol clay! It was very sad. Yet who that has loved either man or bassoon does not know this bitterness?
“He will be gentler hereafter,” said Aunt Eliza, encouragingly. “You must always remember that we should be charitable and indulgent with those we love. Who knows why the bassoon was harsh and wayward and imperious to-night? Let us not judge him till we have heard the whys and wherefores. He may have been ill; depend upon it, my dear, he had cause for his conduct.”
Aunt Eliza’s prudent words were a great solace to Aurora. And she forgave the bassoon all the pain he had inflicted when she went to the opera the next night and heard him in “I Puritani,” a work in which the grand virility of his nature, its vigor and force, came out with telling effect. There was not a trace of the insolence he had manifested in “Die Walkuere,” nor of the humorous antics he had displayed in “La Grande Duchesse”; divested of all charlatanism, he was now a magnificent, sonorous, manly bassoon, and you may depend upon it Aurora was more in love with him than ever.
It was about this time that, perceiving a marked change in his daughter’s appearance and demeanor, Aurora’s father began to question her mother about it all, and that good lady at last made bold to tell the old gentleman the whole truth of the matter, which was simply that Aurora cherished a passion for the bassoon. Now the father was an exceedingly matter-of-fact, old-fashioned man, who possessed not the least bit of sentiment, and when he heard that his only child had fallen in love with a bassoon, his anger was very great. He summoned Aurora into his presence, and regarded her with an austere countenance.
“Girl,” he said, in icy tones, “is it true that you have been flirting with a bassoon?”
“Father,” replied Aurora, with dignity, “I have never flirted with anybody, and you grievously wrong the bassoon when you intimated that he, too, is capable of such frivolity.”
“It is nevertheless true,” roared the old gentleman, “that you have conceived a passion for this bassoon, and have cherished it clandestinely.”
“It is true, father, that I love the bassoon,” said Aurora; “it is true that I admire his wit, vivacity, sentiment, soul, force, power, and manliness, but I have loved in secret. We have never met; he may know I love him, and he may reciprocate my love, but he has never spoken to me nor I to him, so there is nothing clandestine in the affair.”
“Oh, my child! my child!” sobbed the old man, breaking down; “how could you love a bassoon, when so many eligible young men are suitors for your hand?”