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The Phantoms Of The Foot-Bridge
by
Keenan, leading the way, paused in displeasure. “I wisht I hed viewed that critter,” he said, glumly. “I’d hev purvented that screechin’ ter call the devil, sure. It’s jes a certain sign o’ death.”
He was about to turn, to wreak his vengeance, perchance. But the bird, sufficiently fortunate itself, whatever woe it presaged for others, suddenly took its awkward flight through sheen and shadow across the quadrangle, and when they heard its cry again it came from some remote section of the building, with a doleful echo as a refrain.
The circumstance was soon forgotten by Keenan. He seemed a happy, mercurial, lucid nature, and he began presently to dwell with interest on the availability of the old music-stand in the centre of the square as a manger. “Hyar,” he said, striking the rotten old structure with a heavy hand, which sent a quiver and a thrill through all the timbers–“hyar’s whar the guerillas always hitched thar beastises. Thar feed an’ forage war piled up thar on the fiddlers’ seats. Ye can’t do no better’n ter pattern arter them, till ye git ready ter hev fiddlers an’ sech a-sawin’ away in hyar agin.”
And he sauntered away from the little pavilion, followed by Dundas, who had not accepted his suggestion of a room on the first floor as being less liable to leakage, but finally made choice of an inner apartment in the second story. He looked hard at Keenan, when he stood in the doorway surveying the selection. The room opened into a cross-hall which gave upon a broad piazza that was latticed; tiny squares of moonlight were all sharply drawn on the floor, and, seen through a vista of gray shadow, seemed truly of a gilded lustre. From the windows of this room on a court-yard no light Could be visible to any passer-by without. Another door gave on an inner gallery, and through its floor a staircase came up from the quadrangle close to the threshold. Dundas wondered if these features were of possible significance in Keenan’s estimation. The young mountaineer turned suddenly, and snatching up a handful of slats broken from the shutters, remarked:
“Let’s see how the chimbly draws–that’s the main p’int.”
There was no defect in the chimney’s constitution. It drew admirably, and with the white and red flames dancing in the fireplace, two or three chairs, more or less disabled, a table, and an upholstered lounge gathered at random from the rooms near at hand, the possibility of sojourning comfortably for a few days in the deserted hostelry seemed amply assured.
Once more Dundas gazed fixedly at the face of the young mountaineer, who still bent on one knee on the hearth, watching with smiling eyes the triumphs of his fire-making. It seemed to him afterwards that his judgment was strangely at fault; he perceived naught of import in the shallow brightness of the young man’s eyes, like the polished surface of jet; in the instability of his jealousy, his anger; in his hap-hazard, mercurial temperament. Once he might have noted how flat were the spaces beneath the eyes, how few were the lines that defined the lid, the socket, the curve of the cheekbone, the bridge of the nose, and how expressionless. It was doubtless the warmth and glow of the fire, the clinging desire of companionship, the earnest determination to be content, pathetic in one who had but little reason for optimism, that caused him to ignore the vacillating glancing moods that successively swayed Keenan, strong while they lasted, but with scanty augury because of their evanescence. He was like some newly discovered property in physics of untried potentialities, of which nothing is ascertained but its uncertainties.
And yet he seemed to Dundas a simple country fellow, good-natured in the main, unsuspicious, and helpful. So, giving a long sigh of relief and fatigue, Dundas sank down in one of the large arm-chairs that had once done duty for the summer loungers on the piazza.