FullReads

Is there any man who cannot count a dozen pantaloons in his own social circle? Is there any man who has not seen them swarming at the west end of the town on a sunshiny day or a summer’s evening, going through the last-named pantomimic feats with as much liquorish energy, and as total an absence of reserve, as if they were on the very stage itself? We can tell upon our fingers a dozen pantaloons of our acquaintance at this moment–capital pantaloons, who have been performing all kinds of strange freaks, to the great amusement of their friends and acquaintance, for years past; and who to this day are making such comical and ineffectual attempts to be young and dissolute, that all beholders are like to die with laughter.

Take that old gentleman who has just emerged from the Cafe de l’Europe in the Haymarket, where he has been dining at the expense of the young man upon town with whom he shakes hands as they part at the door of the tavern. The affected warmth of that shake of the hand, the courteous nod, the obvious recollection of the dinner, the savoury flavour of which still hangs upon his lips, are all characteristics of his great prototype. He hobbles away humming an opera tune, and twirling his cane to and fro, with affected carelessness. Suddenly he stops–’tis at the milliner’s window. He peeps through one of the large panes of glass; and, his view of the ladies within being obstructed by the India shawls, directs his attentions to the young girl with the band-box in her hand, who is gazing in at the window also. See! he draws beside her. He coughs; she turns away from him. He draws near her again; she disregards him. He gleefully chucks her under the chin, and, retreating a few steps, nods and beckons with fantastic grimaces, while the girl bestows a contemptuous and supercilious look upon his wrinkled visage. She turns away with a flounce, and the old gentleman trots after her with a toothless chuckle. The pantaloon to the life!

But the close resemblance which the clowns of the stage bear to those of every-day life is perfectly extraordinary. Some people talk with a sigh of the decline of pantomime, and murmur in low and dismal tones the name of Grimaldi. We mean no disparagement to the worthy and excellent old man when we say that this is downright nonsense. Clowns that beat Grimaldi all to nothing turn up every day, and nobody patronizes them–more’s the pity!

‘I know who you mean,’ says some dirty-faced patron of Mr. Osbaldistone’s, laying down the Miscellany when he has got thus far, and bestowing upon vacancy a most knowing glance; ‘you mean C. J. Smith as did Guy Fawkes, and George Barnwell at the Garden.’ The dirty-faced gentleman has hardly uttered the words, when he is interrupted by a young gentleman in no shirt-collar and a Petersham coat. ‘No, no,’ says the young gentleman; ‘he means Brown, King, and Gibson, at the ‘Delphi.’ Now, with great deference both to the first-named gentleman with the dirty face, and the last-named gentleman in the non-existing shirt-collar, we do NOT mean either the performer who so grotesquely burlesqued the Popish conspirator, or the three unchangeables who have been dancing the same dance under different imposing titles, and doing the same thing under various high-sounding names for some five or six years last past. We have no sooner made this avowal, than the public, who have hitherto been silent witnesses of the dispute, inquire what on earth it is we DO mean; and, with becoming respect, we proceed to tell them.

It is very well known to all playgoers and pantomime-seers, that the scenes in which a theatrical clown is at the very height of his glory are those which are described in the play-bills as ‘Cheesemonger’s shop and Crockery warehouse,’ or ‘Tailor’s shop, and Mrs. Queertable’s boarding-house,’ or places bearing some such title, where the great fun of the thing consists in the hero’s taking lodgings which he has not the slightest intention of paying for, or obtaining goods under false pretences, or abstracting the stock-in-trade of the respectable shopkeeper next door, or robbing warehouse porters as they pass under his window, or, to shorten the catalogue, in his swindling everybody he possibly can, it only remaining to be observed that, the more extensive the swindling is, and the more barefaced the impudence of the swindler, the greater the rapture and ecstasy of the audience. Now it is a most remarkable fact that precisely this sort of thing occurs in real life day after day, and nobody sees the humour of it. Let us illustrate our position by detailing the plot of this portion of the pantomime–not of the theatre, but of life.