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Click, click, click. Mary went to the telegraphic instrument. She delivered the message by word of mouth, instead of taking it down in the usual manner with a pen.

“Gerald Heath, Overlook,” she translated from the metallic language of the instrument. “Your idea is foolish. We cannot entertain it. Henry Deckerman, president.”

Gerald looked like a man receiving a jury’s verdict involving great pecuniary loss, if not one of personal condemnation, as he listened to the telegram.

“Zat ees what-a I theenk,” remarked Ravelli, with insolent elation; “you ar-r-e one-a fool, as ze president he say.”

Gerald was already angered by the dispatch. The taunting epithet was timed to excite him to fury, which he impulsively spent upon the more immediate provoker. He seized Ravelli by the throat, but without choking him, and almost instantly let him go, as though ashamed of having assailed a man of not much more than half his own strength and nearly twice his age. With Italian quickness Ravelli grabbed Gerald’s knife from the desk, against which he was flung. He would have used it too, if self-defense had been necessary, but he saw that he was not to be further molested, and so he concealed the weapon under his arm, while Gerald strode away, unaware of his escape from a stab.

“He is-a one beeg bully,” said Ravelli, with forced composure. “Eef a lady had-a not been here—-“

“You tormented him,” the girl interrupted. “I once saw the best-natured mastiff in the world lose his temper and turn on a—-” She stopped before saying “cur,” and added instead: “If he was foolish, you were not very wise to tease him.”

“He is-a what to you, zat you take-a hees part?”

She bit her lip in resentment, but made no reply.

“Pare-haps he is one-a lover oof you?”

Still she would not reply to his impertinence. That angered him more than the severest rejoinder would have done.

“Oh, I am sure-a zat he ees one suitor.”

She gave way at length to his provocation, and yet without any violent words, for she simply said: “You are insulting, while he is at least reasonably polite–when he heeds me at all, which isn’t often.”

“Not-a often? But some-what closely he heed-a you. See zat.”

With an open palm he struck the place on the sapling where Gerald had whittled. The spot was on the outer edge, where Mary could not see it from her seat. She went around to the front of the primitively constructed desk, or high counter, to gratify her curiosity. There she saw that Gerald had carved a hand–her own hand, as she instantly perceived. The small and shapely member was reproduced in the fresh, pale wood with rare fidelity. She had unconsciously posed it, while working the key of the telegraphic instrument under the jack-knife sculptor’s eyes, and there had been ample time for him to whittle a fac-simile into the birch.

“He is almost as impertinent as you are,” she said, and turned to see how Ravelli took the comment.

But Ravelli had disappeared.

Then, being alone, she laid a hand of her own coquettishly alongside its wooden counterpart, and critically admired the likeness.

“It was an unwarranted liberty,” she said to herself, “but he did it very well.”

The delicate fiber of the wood had favored the carver’s purpose. The imitation hand bore a shade of flattery in the barely tinted birchen white, and in the fine grained satin smoothness that the keen blade had wrought, but this was not too much for more than a reasonable compliment. As to the modeling, that was sincerely accurate, and the fingers rested on the key precisely as Mary had seen them during many hours of many days. It is an excessively vain girl who admires herself as actually as she does a portrait, and the telegrapher really saw more beauty in the birchen hand than she had ever observed in the live one. As she contemplated it, Ravelli returned noiselessly behind her.