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PAGE 11

The Old Order
by [?]

By the time her children began to marry, she was able to give them each a good strip of land and a little money, she was able to help them buy more land in places they preferred by selling her own, tract by tract, and she saw them all begin well, though not all of them ended so. They went about their own affairs, scattering out and seeming to lose all that sense of family unity so precious to the Grandmother. They bore with her infrequent visits and her advice and her tremendous rightness, and they were impatient of her tenderness. When Harry’s wife died — she had never approved of Harry’s wife, who was delicate and hopelessly inadequate at housekeeping, and who could not even bear children successfully, since she died when her third was born — the Grandmother took the children and began life again, with almost the same zest, and with more indulgence. She had just got them brought up to the point where she felt she could begin to work the faults out of them — faults inherited, she admitted fairly, from both sides of the house — when she died. It happened quite suddenly one afternoon in early October, after a day spent in helping the Mexican gardener of her third daughter-in-law to put the garden to rights. She was on a visit in far western Texas and enjoying it. The daughter-in-law was exasperated but apparently so docile, the Grandmother, who looked upon her as a child, did not notice her little moods at all. The son had long ago learned not to oppose his mother. She wore him down with patient, just, and reasonable argument. She was careful never to venture to command him in anything. He consoled his wife by saying that everything Mother was doing could be changed back after she was gone. As this change included moving a fifty-foot adobe wall, the wife was not much consoled. The Grandmother came into the house quite flushed and exhilarated, saying how well she felt in the bracing mountain air — and dropped dead over the doorsill.

THE WITNESS

Uncle Jimbilly was so old and had spent so many years bowed over things, putting them together and taking them apart, making them over and making them do, he was bent almost double. His hands were closed and stiff from gripping objects tightly, while he worked at them, and they could not open altogether even if a child took the thick black fingers and tried to turn them back. He hobbled on a stick; his purplish skull showed through patches in his wool, which had turned greenish gray and looked as if the moths had got at it.

He mended harness and put half soles on the other Negroes’ shoes, he built fences and chicken coops and barn doors; he stretched wires and put in new window panes and fixed sagging hinges and patched up roofs; he repaired carriage tops and cranky plows. Also he had a gift for carving miniature tombstones out of blocks of wood; give him almost any kind of piece of wood and he could turn out a tombstone, shaped very like the real ones, with carving, and a name and date on it if they were needed. They were often needed, for some small beast or bird was always dying and having to be buried with proper ceremonies: the cart draped as a hearse, a shoe-box coffin with a pall over it, a profuse floral outlay, and, of course, a tombstone. As he worked, turning the long blade of his bowie knife deftly in circles to cut a flower, whittling and smoothing the back and sides, stopping now and then to hold it at arm’s length and examine it with one eye closed, Uncle Jimbilly would talk in a low, broken, abstracted murmur, as if to himself; but he was really saying something he meant one to hear. Sometimes it would be an incomprehensible ghost story; listen ever so carefully, at the end it was impossible to decide whether Uncle Jimbilly himself had seen the ghost, whether it was a real ghost at all, or only another man dressed like one; and he dwelt much on the horrors of slave times.