**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 5

The Old Chest At Wyther Grange
by [?]

“The next day we were all so busy that I almost forgot the incident of the previous evening. We girls were up in the sewing room putting the last touches to the wedding gown. Eliza tried it and her veil on and was standing so, in all her silken splendour, when a letter was brought in. I guessed by her blush who was the writer. I laughed and ran downstairs, leaving her to read it.

“When I returned she was still standing just where I had left her in the middle of the room, holding the letter in her hand. Her face was as white as her veil, and her wide-open eyes had a dazed, agonized look as of someone who had been stricken a mortal blow. All the soft happiness and sweetness had gone out of them. They were the eyes of an old woman, Amy.

“‘Eliza, what is the matter?’ I said. ‘Has anything happened to Willis?’

“She made no answer, but walked to the fireplace, dropped the letter in a bed of writhing blue flame and watched it burn to white ashes. Then she turned to me.

“‘Help me take off this gown, Winnie,’ she said dully. ‘I shall never wear it again. There will be no wedding. Willis is gone.’

“‘Gone!’ I echoed stupidly.

“‘Yes. I am not the heiress, Winnie. It was the fortune, not the girl, he loved. He says he is too poor for us to dream of marrying when I have nothing. Oh, such a cruel, heartless letter! Why did he not kill me? It would have been so much more merciful! I loved him so–I trusted him so! Oh, Winnie, Winnie, what am I to do!’

“There was something terrible in the contrast between her passionate words and her calm face and lifeless voice. I wanted to call Mother, but she would not let me. She went away to her own room, trailing along the dark hall in her dress and veil, and locked herself in.

“Well, I told it all to the others in some fashion. You can imagine their anger and dismay. Your father, Amy–he was a hot-blooded, impetuous, young fellow then–went at once to seek Willis Starr. But he was gone, no one knew where, and the whole country rang with the gossip and scandal of the affair. Eliza knew nothing of this, for she was ill and unconscious for many a day. In a novel or story she would have died, I suppose, and that would have been the end of it. But this was in real life, and Eliza did not die, although many times we thought she would.

“When she did recover, how frightfully changed she was! It almost broke my heart to see her. Her very nature seemed to have changed too–all her joyousness and light-heartedness were dead. From that time she was a faded, dispirited creature, no more like the Eliza we had known than the merest stranger. And then after a while came other news–Willis Starr was married to the other Eliza Laurance, the true heiress. He had made no second mistake. We tried to keep it from Eliza but she found it out at last. That was the day she came up here alone and packed this old chest. Nobody ever knew just what she put into it. But you and I see now, Amy–her ball dress, her wedding gown, her love letters and, more than all else, her youth and happiness–this old chest was the tomb of it all. Eliza Laurance was really buried here.

“She went home soon after. Before she went she exacted a promise from Mother that the old chest should be left at the Grange unopened until she came for it herself. But she never came back, and I do not think she ever intended to, and I never saw her again.

“That is the story of the old chest. It was all over so long ago–the heartbreak and the misery–but it all seems to come back to me now. Poor Eliza!”

My own eyes were full of tears as Aunt Winnifred went down the stairs, leaving me sitting dreamily there in the sunset light, with the old yellowed bridal veil across my lap and the portrait of Eliza Laurance in my hand. Around me were the relics of her pitiful story–the old, oft-repeated story of a faithless love and a woman’s broken heart–the gown she had worn, the slippers in which she had danced light-heartedly at her betrothal ball, her fan, her pearls, her gloves–and it somehow seemed to me as if I were living in those old years myself, as if the love and happiness, the betrayal and pain were part of my own life. Presently Aunt Winnifred came back through the twilight shadows.

“Let us put all these things back in their grave, Amy,” she said. “They are of no use to anyone now. The linen might be bleached and used, I dare say–but it would seem like a sacrilege. It was Mother’s wedding present to Eliza. And the pearls–would you care to have them, Amy?”

“Oh, no, no,” I said with a little shiver. “I would never wear them, Aunt Winnifred. I should feel like a ghost if I did. Put everything back just as we found it–only her portrait. I would like to keep that.”

Reverently we put gowns and letters and trinkets back into the old blue chest. Aunt Winnifred closed the lid and turned the key softly. She bowed her head over it for a minute and then we went together in silence down the shadowy garret stairs of Wyther Grange.