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“I would rather not,” she repeated, with her eyes upon the ground.

But Fletcher was not to be turned lightly from his purpose.

“I wouldn’t distress you for the world, Mrs. Denvers,” he said, “but don’t you think you are a trifle unreasonable? No one expects a woman in your position to be a slave to convention. I would never have bought the thing had I dreamed that it could be an offence.”

There was a tinge of reproach in his voice, no more, but she felt inexplicably ashamed as she heard it. She looked up sharply, and the conviction that she was making herself ridiculous swept quickly upon her. She held out her hand to him, and mutely suffered him to slip the bangle on to her wrist.

IV

A curious rattling sound made them turn sharply the next moment, and even though it proved to be the warning signal of an old snake-charmer, Beryl welcomed the diversion. She looked at the man with a good deal of interest, notwithstanding her repulsion. He was wrapped in a long, very dirty, white chuddah, from which his face peered weirdly forth, wrinkled and old, almost supernaturally old, she thought to herself. It was very strangely adorned with red paint, which imparted to the eyes a ghastly pale appearance in the midst of the swarthy skin. A wiry grey beard covered the lower part of the face, and into this he was crooning a tuneless and wholly unintelligible song, while he squatted on the ground in front of a large, covered basket.

“He has got a cobra there,” Fletcher said, and took Beryl’s arm quietly.

She moved slightly, with a latent wish that he would take his hand away. But natives were beginning to crowd and press about them to see the show, and she realised that his action was dictated by necessity.

“Shall I take you away before we get hemmed in?” he asked her once.

But she shook her head. A nameless fascination impelled her to remain.

Even when the snake-charmer shot forth a dusky arm and clawed the basket open, she showed no sign of fear, though Fletcher’s hold upon her tightened to a grip. They seemed to be the only Europeans in all that throng, but that fact also she had forgotten. She could think of nothing but the crouching native before her, and the basket in which some living, moving thing lay enshrouded.

Closely she watched the active fingers, alert and sensitive, feeling over the dingy cloth they had exposed. Suddenly, with a movement too swift to be followed, they rent the covering away, and on the instant, rearing upwards, she beheld a huge snake.

A thrill of horror shot through her, so keen that it stabbed every pulse, making her whole body tingle. But there was no escape for her then, nor did she seek it. She had a most unaccountable feeling that this display was for her alone, that in some way it appealed to her individually; and she was no longer so much as conscious of Fletcher’s presence at her side.

The charmer continued his crooning noise, and the great cobra swayed its inflated neck to and fro as though to some mysterious rhythm, the native with naked hand and arm seeming to direct it.

“Loathsome!” murmured a voice into Beryl’s ear, but she did not hear it. Her whole intelligence was riveted upon the movements of the serpent and its master. It was a hideous spectacle, but it occupied her undivided attention. She had no room for panic.

Suddenly the man’s crooning ceased, and on the instant the cobra ceased to sway. It seemed to gather itself together, was rigid for perhaps five seconds, and then–swift as a lightning flash–it struck.

A sharp cry broke from Beryl, but she never knew that she uttered it. All she was aware of was the ghastly struggle that ensued in front of her, the fierce writhing of the snake, the convulsive movements of the old native, and, curiously distinct from everything else, an impression of some stringed instrument thrumming somewhere at the back of the crowd.