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The Night Operator
by
Toddles repudiated the name, and did it forcefully. Not that he couldn’t take his share of a bit of guying, but because he felt that he was face to face with a vital factor in the career he longed for–so he fought. And if nature had been niggardly in one respect, she had been generous in others; Toddles, for all his size, possessed the heart of a lion and the strength of a young ox, and he used both, with black and bloody effect, on the eyes and noses of the call-boys and younger element who called him Toddles. He fought it all along the line–at the drop of the hat–at a whisper of “Toddles.” There wasn’t a day went by that Toddles wasn’t in a row; and the women, the mothers of the defeated warriors whose eyes were puffed and whose noses trickled crimson, denounced him in virulent language over their washtubs and the back fences of Big Cloud. You see, they didn’t understand him, so they called him a “bad one,” and, being from the East and not one of themselves, “a New York gutter snipe.”
But, for all that, the name stuck. Up and down through the Rockies it was–Toddles. Toddles, with the idea of getting a lay-over on a siding, even went to the extent of signing himself in full–Christopher Hyslop Hoogan–every time his signature was in order; but the official documents in which he was concerned, being of a private nature between himself and the News Company, did not, in the very nature of things, have much effect on the Hill Division. Certainly the big fellows never knew he had any name but Toddles–and cared less. But they knew him as Toddles, all right! All of them did, every last one of them! Toddles was everlastingly and eternally bothering them for a job. Any kind of a job, no matter what, just so it was real railroading, and so a fellow could line up with everybody else when the pay car came along, and look forward to being something some day.
Toddles, with time, of course, grew older, up to about seventeen or so, but he didn’t grow any bigger–not enough to make it noticeable! Even Toddles’ voice wouldn’t break–it was his young heart that did all the breaking there was done. Not that he ever showed it. No one ever saw a tear in the boy’s eyes. It was clenched fists for Toddles, clenched fists and passionate attack. And therein, while Toddles had grasped the basic truth that his nickname militated against his ambitions, he erred in another direction that was equally fundamental, if not more so.
And here, it was Bob Donkin, the night dispatcher, as white a man as his record after years of train-handling was white, a railroad man from the ground up if there ever was one, and one of the best, who set Toddles–but we’ll come to that presently. We’ve got our “clearance” now, and we’re off with “rights” through.
No. 83, Hawkeye’s train–and Toddles’–scheduled Big Cloud on the eastbound run at 9.05; and, on the night the story opens, they were about an hour away from the little mountain town that was the divisional point, as Toddles, his basket of edibles in the crook of his arm, halted in the forward end of the second-class smoker to examine again the fistful of change that he dug out of his pants pocket with his free hand.
Toddles was in an unusually bad humor, and he scowled. With exceeding deftness he separated one of the coins from the others, using his fingers like the teeth of a rake, and dropped the rest back jingling into his pocket. The coin that remained he put into his mouth, and bit on it–hard. His scowl deepened. Somebody had presented Toddles with a lead quarter.
It wasn’t so much the quarter, though Toddles’ salary wasn’t so big as some people’s who would have felt worse over it, it was his amour propre that was touched–deeply. It wasn’t often that any one could put so bald a thing as lead money across on Toddles. Toddles’ mind harked back along the aisles of the cars behind him. He had only made two sales that round, and he had changed a quarter each time–for the pretty girl with the big picture hat, who had giggled at him when she bought a package of chewing gum; and the man with the three-carat diamond tie-pin in the parlor car, a little more than on the edge of inebriety, who had got on at the last stop, and who had bought a cigar from him.