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PAGE 5

The Next Time
by [?]

“Something horrid has happened,” I immediately said; and having really all along but half believed in her mother’s meagre permission I risked with an unguarded groan the introduction of Mrs. Stannace’s name.

“Yes, she has made a dreadful scene; she insists on our putting it off again. We’re very unhappy: poor Ray has been turned off.” Her tears began to flow again.

I had such a good conscience that I stared. “Turned off what?”

“Why, his paper of course. The Beacon has given him what he calls the sack. They don’t like his letters: they’re not the style of thing they want.”

My blankness could only deepen. “Then what style of thing do they want?”

“Something more chatty.”

“More?” I cried, aghast.

“More gossipy, more personal. They want ‘journalism.’ They want tremendous trash.”

“Why, that’s just what his letters have been!” I broke out.

This was strong, and I caught myself up, but the girl offered me the pardon of a beautiful wan smile. “So Ray himself declares. He says he has stooped so low.”

“Very well–he must stoop lower. He must keep the place.”

“He can’t!” poor Maud wailed. “He says he has tried all he knows, has been abject, has gone on all fours, and that if they don’t like that–“

“He accepts his dismissal?” I interposed in dismay.

She gave a tragic shrug. “What other course is open to him? He wrote to them that such work as he has done is the very worst he can do for the money.”

“Therefore,” I inquired with a flash of hope, “they’ll offer him more for worse?”

“No indeed,” she answered, “they haven’t even offered him to go on at a reduction. He isn’t funny enough.”

I reflected a moment. “But surely such a thing as his notice of my book–!”

“It was your wretched book that was the last straw! He should have treated it superficially.”

“Well, if he didn’t–!” I began. Then I

checked myself. “Je vous porte malheur.”

She didn’t deny this; she only went, on: “What on earth is he to do?”

“He’s to do better than the monkeys! He’s to write!”

“But what on earth are we to marry on?”

I considered once more. “You’re to marry on The Major Key.”

II

The Major Key was the new novel, and the great thing accordingly was to finish it; a consummation for which three months of the Beacon had in some degree prepared the way. The action of that journal was indeed a shock, but I didn’t know then the worst, didn’t know that in addition to being a shock it was also a symptom. It was the first hint of the difficulty to which poor Limbert was eventually to succumb. His state was the happier of a truth for his not immediately seeing all that it meant. Difficulty was the law of life, but one could thank heaven it was exceptionally present in that horrid quarter. There was the difficulty that inspired, the difficulty of The Major Key to wit, which it was after all base to sacrifice to the turning of somersaults for pennies. These convictions Ray Limbert beguiled his fresh wait by blandly entertaining: not indeed, I think, that the failure of his attempt to be chatty didn’t leave him slightly humiliated. If it was bad enough to have grinned through a horse-collar it was very bad indeed to have grinned in vain. Well, he would try no more grinning or at least no more horse-collars. The only success worth one’s powder was success in the line of one’s idiosyncrasy. Consistency was in itself distinction, and what was talent but the art of being completely whatever it was that one happened to be? One’s things were characteristic or they were nothing. I look back rather fondly on our having exchanged in those days these admirable remarks and many others; on our having been very happy too, in spite of postponements and obscurities, in spite also of such occasional hauntings as could spring from our lurid glimpse of the fact that even twaddle cunningly calculated was far above people’s heads. It was easy to wave away spectres by the reflection that all one had to do was not to write for people; it was certainly not for people that Limbert wrote while he hammered at The Major Key. The taint of literature was fatal only in a certain kind of air, which was precisely the kind against which we had now closed our window. Mrs. Stannace rose from her crumpled cushions as soon as she had obtained an adjournment, and Maud looked pale and proud, quite victorious and superior, at her having obtained nothing more. Maud behaved well, I thought, to her mother, and well indeed for a girl who had mainly been taught to be flowerlike to every one. What she gave Ray Limbert her fine, abundant needs made him then and ever pay for; but the gift was liberal, almost wonderful–an assertion I make even while remembering to how many clever women, early and late, his work has been dear. It was not only that the woman he was to marry was in love with him, but that (this was the strangeness) she had really seen almost better than any one what he could do. The greatest strangeness was that she didn’t want him to do something different. This boundless belief was indeed the main way of her devotion; and as an act of faith it naturally asked for miracles. She was a rare wife for a poet if she was not perhaps the best who could have been picked out for a poor man.