PAGE 11
The Next Time
by
But would nobody notice it at all?–that was a question that added a prospective zest to one’s possession of a critical sense. So much depended upon it that I was rather relieved than otherwise not to know the answer too soon. I waited in fact a year–the year for which Limbert had cannily engaged on trial with Mr. Bousefield; the year as to which through the same sharpened shrewdness it had been conveyed in the agreement between them that Mr. Bousefield was not to intermeddle. It had been Limbert’s general prayer that we would during this period let him quite alone. His terror of my direct rays was a droll, dreadful force that always operated: he explained it by the fact that I understood him too well, expressed too much of his intention, saved him too little from himself. The less he was saved the more he didn’t sell: I literally interpreted, and that was simply fatal.
I held my breath accordingly; I did more–I closed my eyes, I guarded my treacherous ears. He induced several of us to do that (of such devotions we were capable) so that not even glancing at the thing from month to month, and having nothing but his shamed, anxious silence to go by, I participated only vaguely in the little hum that surrounded his act of sacrifice. It was blown about the town that the public would be surprised; it was hinted, it was printed that he was making a desperate bid. His new work was spoken of as “more calculated for general acceptance.” These tidings produced in some quarters much reprobation, and nowhere more, I think, than on the part of certain persons who had never read a word of him, or assuredly had never spent a shilling on him, and who hung for hours over the other attractions of the newspaper that announced his abasement. So much asperity cheered me a little–seemed to signify that he might really be doing something. On the other hand I had a distinct alarm; some one sent me for some alien reason an American journal (containing frankly more than that source of affliction) in which was quoted a passage from our friend’s last instalment. The passage–I couldn’t for my life help reading it–was simply superb. Ah, he would have to move to the country if that was the worst he could do! It gave me a pang to see how little after all he had improved since the days of his competition with Pat Moyle. There was nothing in the passage quoted in the American paper that Pat would for a moment have owned. During the last weeks, as the opportunity of reading the complete thing drew near, one’s suspense was barely endurable, and I shall never forget the July evening on which I put it to rout. Coming home to dinner I found the two volumes on my table, and I sat up with them half the night, dazed, bewildered, rubbing my eyes, wondering at the monstrous joke. Was it a monstrous joke, his second manner–was this the new line, the desperate bid, the scheme for more general acceptance and the remedy for material failure? Had he made a fool of all his following, or had he most injuriously made a still bigger fool of himself? Obvious?–where the deuce was it obvious? Popular?–how on earth could it be popular? The thing was charming with all his charm and powerful with all his power: it was an unscrupulous, an unsparing, a shameless, merciless masterpiece. It was, no doubt, like the old letters to the Beacon, the worst he could do; but the perversity of the effort, even though heroic, had been frustrated by the purity of the gift. Under what illusion had he laboured, with what wavering, treacherous compass had he steered? His honour was inviolable, his measurements were all wrong. I was thrilled with the whole impression and with all that came crowding in its train. It was too grand a collapse–it was too hideous a triumph; I exalted almost with tears–I lamented with a strange delight. Indeed as the short night waned and, threshing about in my emotion, I fidgeted to my high-perched window for a glimpse of the summer dawn, I became at last aware that I was staring at it out of eyes that had compassionately and admiringly filled. The eastern sky, over the London housetops, had a wonderful tragic crimson. That was the colour of his magnificent mistake.