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An expert observer could have seen while this was going on a strange, half-worried, almost fiercely concentrated expression in the Judge’s eyes. It was as if he mightily wished to remain with his child, but could not by any effort resist some powerful temptation tugging at him and drawing him away.

He kissed her tenderly, pushed her gently from him and went out.

The girl cast herself upon a sofa and buried her face in her hands, as a vision of that night one year before came up before her eyes.

Some strange masked men had brought her father home far in the night, white as a ghost, helpless, speechless, apparently dead. They put him down there in the room and vanished.

He had no wound, no bruise, no mark of any violence. But he recovered very slowly, and he never told what had befallen him.

Mlle. Olympe knew of her father’s frequent duels, and if he had been brought in dead or badly off on account of pistol ball or rapier thrust she would not have been surprised beyond measure, but this mysterious performance of the masked men and the unaccountable condition of the Judge were taken hold upon by her imagination and raised to the highest power of romantic meaning.

A year had passed, and she might not have recalled the exact anniversary but for the prattle of an old servant to the effect that she had seen her master, the Judge, marching at the head of a company of masked men, himself wearing an “invisible” mask and a queer black velvet cap.

Mlle. Olympe observed that her father was flushed as if with wine, and his bearing was indicative of some subtile and indescribable excitement within him. When he went away she felt that something startling was going to happen soon.

CHAPTER IV.

When Hepworth Coleman suddenly found himself a prisoner in that close, dark room, he did not at first suspect any treachery on the part of Judge Favart de Caumartin. He expected that gentleman to return in the course of a few minutes, but this favorable impression was soon removed by certain startling events that crowded one upon another.

First a low, rumbling, clanging sound, like the beating of metallic gongs in the distance, came through the walls and filled the cell. Then as this died away to utter silence he heard tumultuous whispering all around, above, below. The thousand voices all seemed to be saying the same thing, which presently he made out to be the words: “The Krewe is coming; make ready for the Krewe!” When the whispering ended little purple lights began to flash here and there, but so mysteriously glinted that he could not locate them, and these were followed by phantom faces, wan, waxen, faintly luminous, appearing and fading instantly, succeeded by intense darkness.

Now, Hepworth Coleman was a man of iron nerve, an athlete in body and spirit, who, although full of romantic and poetic impulses, was at the base of his character as brave and steadfast as a lion. Still, even the best courage has its moment of faltering, and just at the point when one whole wall of his cell was withdrawn, so that he stood in the full glare of twenty brilliant chandeliers that lighted a large, gorgeously decorated hall, he felt the blood grow stiflingly heavy on his heart. Before him stood a file of fantastic figures, men oddly clad and strangely armed, who clashed their brazen shields together and pointed their swords at his breast. On the walls of the spacious room hung weird-looking trophies, skulls, pictures of dead men, ghastly and livid, pistols, swords, and strange banners. The floor was carpeted with heavy Persian tapestry, thickly padded underneath.

Coleman stood gazing while the file of armed men–perhaps platoon would be more correct–went through some silent but intricate evolutions after beating their shields together and threatening him with their swords. When the movements were ended one of the masters came up to him and struck him lightly with the flat of his weapon across the cheek, saying in a loud whisper: